VK

visits on art, design, architecture and literature

Category: PHOTOGRAPHY/PROJECTS

Azhar: from the desk of the architect ‘dark blue crystals harvested’

In my new section at VK publication,  “Photography Exemplar”  a platform in which  I invite artists that work on the media of photography or architecture to share their experience working on a project, an idea, that it might  develop to a larger narrative or simply stay at the moment.  My second guest is Azhar (Azhar Architecture, London & Berlin ) with his project ‘Space’. Azhar is a multidisciplinary architect. Born in Lahore, trained in London, and shares his time between London and Berlin. All images and text below are courtesy of Azhar.(note from editor VK)

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This series of modified images, are about reverting these drawings into “Blueprints”, the original status of their creation, they return to be not descriptive but prescriptive.
SPACE SERIES _ The space race has created such incredible technological advancement and fundamental analysis on human support systems. It strikes me that we still have a lot to learn from that extensive research, not just stylistically but in multivalent ways.  These are for me an optimistic series, to be  extra-terrestrial was the combination of vision and technical challenge.
As an architect, I am often introduced as somebody who creates buildings, which is only partially true. I see myself as someone who devises “instructions”, the process of which is drawings, whether it is a concept sketch, or an intricate 3D model. These plans, sections, elevations, 3D models are the instructions for others to use, contribute, interrogate and build the ‘plan’.
I started experimenting with ink drawings as a child, the technical pens of Rotring and Faber Castell, working with a series of proportional pen thicknesses, in fractions of millimetres, 0.1mm, 0.13mm, 0.25mm, 0.35mm 0.5mm etc. I was enthralled by this proportional thicknesses and this absolute precision.

“Apollo Command Module” used for the Apollo program between 1969 and 1975

“Apollo Lunar Module” which was flown to and landed on the Moon. Ten lunar modules were launched into space, of these six successfully landed humans on the Moon between 1969 and 1972.

“Skylab” launched and operated by NASA and occupied for about 24 weeks between May 1973 and February 1974. Skylab included a workshop, a solar observatory and other systems for crew survival and scientific experiments. Three missions delivered three astronaut crews in the Apollo Command and service module.

“Space Shuttle”, taken from a 1969 plan for a reusable spacecraft, tge first orbital flights occurred in 1982. In addition to the prototype, five complete Shuttle systems were built and used on a total of 135 missions from 1981 to 2011.

 

“Spacelab” was a reusable laboratory used on certain spaceflights flown by the Space Shuttle. The laboratory comprised multiple components, including a pressurised module, an unpressurised carrier and other related hardware housed in the Shuttle’s cargo bay.

“Columbus” is a science laboratory module that is part of the ISS International Space Station and is the largest single contribution to the ISS made by the ESA European Space Agency. It was launched aboard Space Shuttle Atlantic on February 7th, 2008. It was designed for ten years of operation.
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THE ALCHEMY OF INK
The colour of blueprints, are a “Blue-Black”, I have an instinctive love for the colour. It is my favourite ink in my pens, I draw predominantly with ink-pens, I like the fact that ink is unforgiving, one can only with great difficulty correct an ink gesture on paper.
Blue Black ink is in a way in my blood, my maternal grandfather was an ink maker, amongst other roles. His factory made writing ink in Lahore, where I am born, and from my youngest memories of seeing dark blue crystals being harvested, ready to be made into precious formulas to be sent out in little bottles to scribe, create and record the world, for good or for bad. Ink is a magical, a crucial invention for the evolution of civilisation, and is still wondrous to me, it is an alchemy.
INK MASTERS
As a boy, I fell in love with the Victorian Aubrey Beardsely, the brilliant young illustrator, the gestures and commitment that he drew, often erotic, his drawings were produced with an absolute commitment to ink, his medium. It was the age of Orientalism, I learnt that Beardsley had fell in love with the great master Hokusai and sought out a large format monograph of the masters work at a local library, I fell into the world of this book, and I have never left.
                                                                            Azhar, Berlin, February 12, 2019

‘Archipelago of Fournoi Korseon, islands’ project by Christina Dimitriadis

Walter Benjamin, compared ‘memory . . . the medium of past experience . .  to ‘the ground (which) is the medium in which dead cities lie interred.’

 

In my new section at VK publication,  “Photography Exemplar”  a platform in which  I invite artists that work on the media of photography to share their experience working on a project, an idea, that it might  develop to a larger narrative or simply stay at the moment.  My first guest is  Christina Dimitriadis (lives &  works in Berlin) whose work  I admire for a long time, (Christina submitted 37 photos on my desk /september 2018  the photos are presented here unfiltered, exactly the way were delivered to me;  it is a journey of her  days residing at the remote Fournoi Korseon  islands, far east of the cycladic aegean sea; the “Island Hoping”was evolved to an exhibition presently on view at the Athens Municipality Arts Center, in Athens, Nov 10, 2018 -3 Feb 2019) (curated by Dennys Zacharopoulos. artistic director ); thank you Christina for sharing your journey with us. (note from editor VK) 

“Middle of May 2018, I take a photographic journey to the archipelago of Fournoi Korseon, islands I ́ve never been before. While I photograph for my new project “Island Hoping” with my professional cameras, I use the camera of my i phone to document my everyday life, my surroundings. The wild beauty of the Archipelago becomes my muse. Like an enchanted landscape transforms me into something I forgot how to be“. Christina Dimitriadis, artist

….see in detail all text /the journey after the images.

 

A digital diary of my journey to the Archipelago of Fournoi Korseon.
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The basic function of Instagram is the practice of photο-sharing. Photo-sharing as a regular or daily practice, a mise – en – scéne of one self, a formation and not only a presentation. While phone calls are decreasing and text messages are becoming shorter, photo-sharing becomes the new language of communication in the digital technology.
Posting photos and videos on Instagram is like a virtual dialog with the followers. A desire to communicate, to see and be seen.
Known or unknown followers, colleagues, collaborators, friends or not, some forgotten, some beloved, some wishing to meet to love.
Counting the number of hearts underneath each posts. Searching for names.
So ephemeral the life of a post, no longer than a few hours, a day the most, even if they can be saved to the timeline of the app.
The platform, the sleek design, the sophisticate filters the square format, become my new vocabulary. A vocabulary different than my actual life, but also different from my artistic practice.
A third dimension of myself, constructed with different tools.
I use this dimension as my notebook. Notebooks which were usually kept private become public.
Middle of May 2018, I take photographic journey to the archipelago of Fournoi Korseon, islands I ́ve never been before.
While I photograph for my new project Island Hoping with my professional cameras, I use the camera of my i phone to document my everyday life, my surroundings.
The wild beauty of the Archipelago becomes my muse. Like an enchanted landscape transforms me to something I forgot how to be…                                                             Christina Dimitriadis, September 2018

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See published Christina Dimitriadis’s  ‘Island Hoping’ on Art Agenda by Kimberly Bradley, Feb 1, 2019

Fournoi Korseon  (Φούρνοι Κορσέων) is a complex of archipelago  of small Greek islands that lie between Ilaria, Samos, and Patmos, North Aegean region. The two largest islands of the complex, the main isle of Fournoi 31 square kilometres (12 square miles) and the isle of Thyemaina  10 square kilometres (3.9 square miles), are inhabited, as is Agios Minas island 2.3 square kilometres (0.9 square miles) to the east

 

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