VK

visits on art, design, architecture and literature

a New Yorker visit for the story; Haruki Murakami: Samsa In Love

I love Haruki Murakami for years..  this a recent short  story at the New Yorker. copyright: New Yorker

Samsa in Love 

“He woke to discover that he had undergone a metamorphosis and become Gregor Samsa.

He lay flat on his back on the bed, looking at the ceiling. It took time for his eyes to adjust to the lack of light. The ceiling seemed to be a common, everyday ceiling of the sort one might find anywhere. Once, it had been painted white, or possibly a pale cream. Years of dust and dirt, however, had given it the color of spoiled milk. It had no ornament, no defining characteristic. No argument, no message. It fulfilled its structural role but aspired to nothing further.

There was a tall window on one side of the room, to his left, but its curtain had been removed and thick boards nailed across the frame. An inch or so of space had been left between the horizontal boards, whether on purpose or not wasn’t clear; rays of morning sun shone through, casting a row of bright parallel lines on the floor. Why was the window barricaded in such a rough fashion? Was a major storm or tornado in the offing? Or was it to keep someone from getting in? Or to prevent someone (him, perhaps?) from leaving?

Still on his back, he slowly turned his head and examined the rest of the room. He could see no furniture, apart from the bed on which he lay. No chest of drawers, no desk, no chair. No painting, clock, or mirror on the walls. No lamp or light. Nor could he make out any rug or carpet on the floor. Just bare wood. The walls were covered with wallpaper of a complex design, but it was so old and faded that in the weak light it was next to impossible to make out what the design was.

The room had perhaps once served as a normal bedroom. Yet now all vestiges of human life had been stripped away. The only thing that remained was his solitary bed in the center. And it had no bedding. No sheets, no coverlet, no pillow. Just an ancient mattress.

Samsa had no idea where he was, or what he should do. All he knew was that he was now a human whose name was Gregor Samsa. And how did he know that? Perhaps someone had whispered it in his ear while he lay sleeping? But who had he been before he became Gregor Samsa? What had he been?

The moment he began contemplating that question, however, something like a black column of mosquitoes swirled up in his head. The column grew thicker and denser as it moved to a softer part of his brain, buzzing all the way. Samsa decided to stop thinking. Trying to think anything through at this point was too great a burden.

In any case, he had to learn how to move his body. He couldn’t lie there staring up at the ceiling forever. The posture left him much too vulnerable. He had no chance of surviving an attack—by predatory birds, for example. As a first step, he tried to move his fingers. There were ten of them, long things affixed to his two hands. Each was equipped with a number of joints, which made synchronizing their movements very complicated. To make matters worse, his body felt numb, as though it were immersed in a sticky, heavy liquid, so that it was difficult to send strength to his extremities.

Nevertheless, after repeated attempts and failures, by closing his eyes and focussing his mind he was able to bring his fingers more under control. Little by little, he was learning how to make them work together. As his fingers became operational, the numbness that had enveloped his body withdrew. In its place—like a dark and sinister reef revealed by a retreating tide—came an excruciating pain.

It took Samsa some time to realize that the pain was hunger. This ravenous desire for food was new to him, or at least he had no memory of experiencing anything like it. It was as if he had not had a bite to eat for a week. As if the center of his body were now a cavernous void. His bones creaked; his muscles clenched; his organs twitched.

Unable to withstand the pain any longer, Samsa put his elbows on the mattress and, bit by bit, pushed himself up. His spine emitted several low and sickening cracks in the process. My God, Samsa thought, how long have I been lying here? His body protested each move. But he struggled through, marshalling his strength, until, at last, he managed to sit up.

Samsa looked down in dismay at his naked body. How ill-formed it was! Worse than ill-formed. It possessed no means of self-defense. Smooth white skin (covered by only a perfunctory amount of hair) with fragile blue blood vessels visible through it; a soft, unprotected belly; ludicrous, impossibly shaped genitals; gangly arms and legs (just two of each!); a scrawny, breakable neck; an enormous, misshapen head with a tangle of stiff hair on its crown; two absurd ears, jutting out like a pair of seashells. Was this thing really him? Could a body so preposterous, so easy to destroy (no shell for protection, no weapons for attack), survive in the world? Why hadn’t he been turned into a fish? Or a sunflower? A fish or a sunflower made sense. More sense, anyway, than this human being, Gregor Samsa.

Steeling himself, he lowered his legs over the edge of the bed until the soles of his feet touched the floor. The unexpected cold of the bare wood made him gasp. After several failed attempts that sent him crashing to the floor, at last he was able to balance on his two feet. He stood there, bruised and sore, one hand clutching the frame of the bed for support. His head was inordinately heavy and hard to hold up. Sweat streamed from his armpits, and his genitals shrank from the stress. He had to take several deep breaths before his constricted muscles began to relax. (…)”

read the whole text at the New Yorker: newyorker.com/fiction

http://www.newyorker.com/fiction/features/2013/10/28/131028fi_fiction_murakami

Art and Cologne

Wonderful blog:

Blog, Art, Venetia, Kapernekas, Cologne, Köln

artblogcologne.com

New York; visit Blain/Di Donna gallery;DADA & surrealist objects

New York; an amazing exhibition at Blain/Di Donna gallery .. visit on november 21,2013

Blain /Di Donna Gallery, New York

“……The exhibition presents a retrospective overview of all aspects of this subject, and encompasses a full selection of works by every serious creator of objects from both the Dada and Surrealist groups. Chronologically, this exploration begins with Marcel Duchamp, whose invention of the readymade in 1913 gave birth to the separation of foundor handmade objects from the more limited world of sculpture, usually confined to plaster, bronze, marble and occasionally carved wood that had previously represented, exclusively, in the realm of the third dimension in art..”

read more 

New York: MoMa: Isa Genzken – Retroperspective

Thursday, November 21st -Museum of Modern Art, New York

Isa Genzken, Venetia Kapernekas

Preview opening of Isa Genzken – Retroperspective (November 23, 2013 – March 10, 2014) 

The exhibitions shows nearly 150 objects of Isa Genzken,  one of the most important and influential female

artists of the past 30 years.

http://www.moma.org/visit/calendar/exhibitions/1345

Mike Kelley

New York ; Nov 17th, Sunday. I visited the PS1 for the Mike Kelley. On view October 13, 2013–February 2, 2014

Venetia Kapernekas, Mike Kelley

“MoMA PS1 presents Mike Kelley, the largest exhibition of the artist’s work to-date and the first comprehensive survey since 1993. Regarded as one of the most influential artists of our time, Mike Kelley (1954–2012) produced a body of deeply innovative work mining American popular culture and both modernist and alternative traditions—which he set in relation to relentless self- and social examinations, both dark and delirious. Bringing together over 200 works, from early pieces made during the 1970s through 2012, the exhibition occupies the entire museum. This exhibition marks the biggest exhibition MoMA PS1 has ever organized since its inceptual Rooms exhibition in 1976.”

read more: MoMA PS1

 

Julia Margaret Cameron

Saturday, November 16th – The Metropolitain Muesum of Art, New York

cameron_julia_met 2013

Exhibiton visit of Julia Margaret Cameron, August 19, 2013 – January 5, 2014

Cameron (1815-1879) is one of the greatest portraitists in the history of photography.

http://www.metmuseum.org/exhibitions/listings/2013/julia-margaret-cameron

New York – Impressions (photos by VK)

New Photography 2013

Friday, Novembre 15th – MoMA, New York

ostoya_anna_lee no.1._2013

Exhibtion visit of New Photography 2013, Septembre 14, 2013 – January 6, 2014.

The exhibtion is curated by Roxana Marcoci and her curatorial assistant Katerina Stathopulou and presents

recent works by eight international artists.

http://www.moma.org/interactives/exhibitions/2013/newphotography

Magritte: The Mystery of the Ordinary, 1926 -1938

Friday, Novembre 15th – MoMA, New York

magritte_ren_the menaced assassin_1927_moma

Visit of Magritte: The Mystery of the Ordinary, 1926 -1938, September 28, 2013 – January 12, 2014

Bringing together some 80 paintings, collages, and objects, along with a selection of photographs, periodicals, and early commercial work, the exhibition offers fresh insight into Magritte’s identity as a modern painter and Surrealist artist.

http://www.moma.org/interactives/exhibitions/2013/magritte/#/featured/1

pinta 2013

Thursday, Novembre 14th – pinta 2013, New York

pinta2013

Opening of pinta, the modern and contemporary latin american art show.

http://www.pinta-ny.com/index.php

Keith York City

History made interesting

VK

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