VK

visits on art, design, architecture and literature

Category: ART

Munich;discussion at Haus der Kunst “Intolerable: Giving Offence and the Limits of Free Expression”

Haus der kunst organized on Thursday night, Feb 13th an evening panel with three leading thinkers to engage in a discussion that tried to  illuminate  critical questions.  Panelists were  Matthias Lilienthal (director of the Munich Kammerspiele from September 2015), Hito Steyerl  (filmmaker and author (born in 1966 in Munich) lives and works in Berlin) and Joachim Bernauer  (director of the Goethe-Institut’s department of culture); the moderator is Okwui Enwezor, director Haus der Kunst.

photo 2 copy

“The recent killings of journalists and police guards in the Paris offices of the satirical French magazine “Charlie Hebdo” have brought to public debate fresh appraisals of the relationship between intolerance, free expression, censorship, and the right to offend sensibilities, be they cultural or religious, political, or ideological. But there is not always an easy distinction of where to draw the limit of free speech and who has the right to impose a limit on expression, regardless of how offensive such expression may be deemed.

At the same time, questions posed by the killings in Paris can be analyzed from the view of the current conflicted state of global, multicultural societies. This issue becomes urgent, particularly when giving offence converges with intolerance under the guise of free expression. But is there a point when offensive images, expressions, and representations become intolerable? Is intolerance of certain types of expression the same as censorship of thought? Can there ever be a limitless sphere of free expression in today’s increasingly plural, multicultural, transnational, and global societies? These questions are all the more pertinent within the realm of artistic and cultural practice, particularly as they meet at the point where institutions must provide an open and unrestricted space for challenging ideas and concepts.” (haus der kunst, press release) 

more at Haus der kunst details 

Munich; Villa Stuck, opening of “Common Grounds”

12 February-17 May 2015 ; a very interesting exhibition opened Wednesday night at  Villa Stuck, “Common Grounds” curated by Verena Hein 

artists: Susan Hefuna, Sophia Al Maria, Joana Hadjithomas and Khalil Joreige,Bouchra Khalili, Nasser Al Salem, Ahmed Mater,Dor Guez, DAAR ‒ Decolonising Architecture Art Residency (established in in Palestine in 2007 by Sandi Hilal, Alessandro Petti, and Eyal Weizmann),Babak Golkar, Parastou Forouhar, Abbas Akhavan.

photo 1 copy

“The rising cities of the Gulf region and arenas of conflict in the Middle East are captivating subjects of media coverage. Both in terms of their content and through their manipulative aesthetic, the often extreme images from these areas shape our western view of the region. Twelve artists counter this flood of images with more diverse artistic practices that reflect on social conditions. Some of these artists ‒ Ahmed Mater, Hazem Harb, and Nasser Al Salem ‒ are for the first time introduced to the German and Munich public…..   The exhibition title refers to the concept of “grounding” in communication theory, which posits that communication partners share common knowledge, which allows for dialog to be successful.” (Villa Stuck Press release)

more here

following the opening exhibition an Artist Panel followed  with Chris Dercon, Director, Tate Modern, London and the following artists:
Abbas Akhavan, Parastou Forouhar, Babak Golkar, Susan Hefuna, and Ahmed Mater, with an introduction by Maya El Khalil, director of Athr Gallery, Jeddah

full  program

Munich; walk thru_Haus der kunst with Okwui Enwezor of the exhibition David Adjaye: Form, Heft, Material

Thursday, february 5th at 7 pm : A walk thru with Okwui Enwezor, director of Haus der Kunst, with the Freunde of the exhibition that just opened few days ago of the heterogeneous work  architect David Adjaye (b. 1966): “Form, Heft, Material”

The survey exhibition, the most extensive of Adjaye’s career, is organized by Haus der Kunst and Art Institute of Chicago. It is curated by Okwui Enwezor, director of Haus der Kunst, Munich, and Zoë Ryan, John H. Bryan Chair and Curator of Architecture and Design at the Art Institute of Chicago.

photo 1

 

p

The heterogeneous work of architect David Adjaye (b. 1966) comprises approximately 50 built projects – from luxury shops and museums to libraries and social housing. His most recent commissions include the design of the National Museum of African American History and Culture in Washington, D.C., as well as the National Museum of Slavery and Freedom in Cape Coast, Ghana. The buildings of the Ghanaian-British architect are often developed in collaboration with artist friends, including the homes he designed for Chris Ofili, Sue Webster and Tim Noble, and Lorna Simpson and James Casebere (Haus der kunst, press release) 

photo 3

 

photo 4

photos@VK (walk thru)

but here at picture gallery, you see some of Adjaye’s architecture 

Lectures and Seminars:
Thursday, 05.03, 7 pm
“Role Models: Approximations to David Adjaye”
Lecture by Nikolaus Hirsch, Respondent: Okwui Enwezor
In English

Friday, 06.03, 10 am – 2 pm
“Bau-Kunst”
Half-day seminar held by Nikolaus Hirsch
In German

Thursday, 09.04, 7 pm
“Form, Heft, Material — Works 2000-2014”
Lecture by David Adjaye
In English

more details here

Munich; at Haus der Kunst: Mark Leckey:”As If “and David Adjaye: “Form, Heft, Material”

HdK Preview opening  for  Mark Leckey: “As If “and David Adjaye: “Form, Heft, Material”

30.01 – 31.05.15  Mark Leckey: As If 

“….The exhibition’s layout at Haus der Kunst is structured according to four chapters: The show opens with autobiographical works – from “Are You Waiting” (1996), a precursor to “Fiorucci Made Me Hardcore”, to “MyAlbum: A Rough-Demo Video,” (2014-15) a filmed autobiography, which is premiered as a demo version. Mark Says Leckey: “‘MyAlbum’ is a record of all the events in my life during the twentieth century that I feel were significant. It is a memoir from 1954 until 1999.” In the central space, all five of the artist’s “Sound Systems” (2001–12) are presented for the first time as an ensemble…” (HdK exhibition release)

photo 2 copy

 

photo 1 copy

 

photo 3 copy 3

more events for the exhibition here 

30.01 – 31.05.15 David Adjaye: Form, Heft, Material

The heterogeneous work of architect David Adjaye (b. 1966) comprises approximately 50 built projects – from luxury shops and museums to libraries and social housing. His most recent commissions include the design of the National Museum of African American History and Culture in Washington, D.C., as well as the National Museum of Slavery and Freedom in Cape Coast, Ghana. The buildings of the Ghanaian-British architect are often developed in collaboration with artist friends, including the homes he designed for Chris Ofili, Sue Webster and Tim Noble, and Lorna Simpson and James Casebere…” (HdK release)photo 2

photo 3

 

photos@VK

 

more on lectures and seminars on the exhibition 

Vienna; Velázquez at Kunst Historisches Museum

My wonderful 3 day visit to Vienna with my children by invitation of my wonderful friends Lina and Nikolas included on  Saturday morning to enjoy the amazing show of Velázquez (1599 – 1660) at the Kunst Historishes Museum.

photo 1 copy 2

This major exhibition in collaboration with, among others, the Museo Nacional del Prado Madrid, who holds the largest collection of works by Velázquez and has been the main lender, the National Gallery in London and the Boston Museum of Fine Arts.

photo 2 copy 2

28 October 2014-15 February 2015

The Kunsthistorisches Museum hosts the first show in a German speaking country of the work of the Spanish artist Diego Velázquez (1599 – 1660). In addition to Velázquez’ charming portraits of the royal children – one of the highlights of the Picture Gallery of the Kunsthistorisches Museum – the show comprises other genres such as kitchen still lifes, religious subjects, mythologies and history paintings, offering a comprehensive survey of the master’s versatility and virtuosity. Among the seminal loans to this exhibition are the “Rokeby Venus”, “Apollo in the Forge of Vulcan” and the “Adoration of the Magi”, all of which have never been shown in Vienna. (museum press release)

photo 3 copy

photo 4

photos@vk

my favorite painting and I took time to listen to my wonderful friend Nikolas that we visited together was ‘The Waterseller‘, as many regard Velazquez’s best work from his early years in Seville.  “… throughout Europe, watersellers were essential in Seville. Nonetheless, they were ranked newar the bottom of the social pyramid. But Velazquez reverses this completely and inbues the old man with dignity, although the higher social status of the boy clutching the full glass is clearly indicated by his fine clothes and light skin….”

csm_Waterseller_050ba8e764

‘The Waterseller’, c.1922 London, Apsley House, The Wellington Collection  

My beautiful stay was highlighted as I stayed at my friends’ house  on the 19th,  in the beautiful historical villa of Heinrich Schnitzler, son of the great writer Arthur Schnitzler.

photo 1

 

photo 3

photos@vk

and a visit at cafe  Demel

photo 1 copy

and of course a Viennese cafe on Sunday morning at Cafe Central with Lina

photo 2 copy

photos@vk

Dear  Lina and Nikolas thank you  for the great hospitality to me and my children over the weekend in Vienna.

Munich; finissage of Florine Stettheimer at Lenbachhaus Kunstbau and at Brandhorst Museum “Dark Pop-Extended Version”

A visit last Sunday afternoon at Lenbachhaus Kunstbau -last day the wonderful exhibition of Florine Stettheimer.   I have written in this blog during the opening of the exhibition, on Sept 27th, 2014 

Florine_Stettheimer_Portrait_of_my_sister_Carrie_220_beschn_01

Her pictures and poems, her designs for studios and stages constitute a modern synthesis of the arts and a chronicle of urban life. Stettheimer painted beauty contests and the revelries of celebrities, skyscrapers, Wall Street, and consumer culture, anticipating many of the interests that would later animate Pop Art. Her oeuvre is a source of inspiration for some of the most fascinating artists working today.

At Brandhorst Museum, “Dark Pop-Extended Version, new installations of artists: Andy Warhol, Bruce Nauman, Robert Gober, Mike Kelley, Cady Noland, Jeff Koons, Louise Lawler et al.

photo copy 2

 

Achim Hochdoerfer, the new appointed director in 2014 of the Museum has done a wonderful and playful presentation of the collection and the new pieces that have been added. The Mike Kelley rooms are great, the Bruce Nauman in the same room with Polke and the Louise Lawler installation were my highlights.

photo copy 4

 

 

photo copy 3

Pop Art’s seemingly blissful embrace of the consumer world was haunted from the first by a gloomy undertone. Warhol’s images of glamorous celebrities and glittering fetishes of consumption were interspersed with motifs of violence, sensationalism and metaphors of death. As if an icon, the tondo of Marilyn Monroe was created after her suicide. For its counterpart of the smiling Jackie Kennedy, Warhol used photos that were reproduced endlessly after the president’s assassination. These works seem to mirror back to us the cynicism of our supposedly enlightened pragmatism. (museum press release)

photo copy 6

 

and in my favorite rooms, the Cy Twombly sculptures

 

photo copy 5

photos@VK

Munich; exploring the amazing creations of Pellicano design

Recently I met  lovely Maria Livia Pellicano, a new wonderful friend, wonderful jewelry designer,  and while talking over wonderful  tea time at her beautiful house,  I had  the chance and pleasure to explore and adore her unique creations.   Maria Livia is from Rome but the last 22 years lives  in Munich with a short stay in between in Bangkok. In 2005 she founded the jewelry brand Pellicano Design.  Just refined aesthetics;  rooted in love for the art.  Her early education was at  Luceo Artistico Alessandro Caravilani in Rome and then she continued  5 years at the  Instituto Europeo Del Design, in Rome.

Her beautiful house in Munich  is filled with art and her strongest influence in her life, her seven beautiful children.  “They help me in my work, commenting – says Pellicano – support me in every way, are my top fan.”

here some of the exclusive unique pieces

182791_156282034426151_5313320_n

“Performance Changeable”-architecture collection, copyright, 18 kt w.g Diamonds Pave

1907983_682760628444953_6360982304766833975_n

Master Joker “Shaker” Master Joker collection coctail ring 18 KT Y.Gold Prasiolith/Brown Diamonds.

Its four product lines – ranging from pieces of the highest level, worn on occasions like the chic Met Ball in New York, to a younger line in silver.

“The two stones, are close and rendered inseparable by a ring studded with small diamonds that seems to hover around them. The two precious gems and inseparable dance forever “Walzer” of life.
06_590-590

01_590-590

the younger line,

1398685_608348719219478_1171734031_o270327_186011188119902_4118508_n

03_590-590

“What is required today to a jewel? The exclusivity, replies Maria-Livia Pellicano

576732_523888370998847_1910035799_n

176550_159085200812501_2594643_o

photos@Pellicano design, by  Maria Livia Pellicano’s permission

Switzerland; visiting Lower Engadine; Sils Maria, St. Moritz, Zuoz, S-Chanf

Engadin: one of the most beautiful places in Switzerland ; some fabulous  days for Christmas with  Udo Brandhorst and our lovely daughter Ana Nefeli  in Waldhaus Hotel in Sils Maria; the panoramic views are so amazing clear and stunning that you have to rub your eyes to make sure you are not in a Hollywood epic; speaking of,  last days Waldhaus has received much attention due to the just released  movie “The Clouds of Sils Maria” with Juliette Binoche and Kristen  Stewart.

Here, a large stretch of lake, a sprinkling of villages and the sheer rock face of bare mountains towering over the expanse make for a very unique landscape.

In a letter Nietzsche once referred to it as being “heroic and idyllic”. This is where the philosopher penned part of his widely acclaimed work, Thus Spoke Zarathustra.

aussenansicht_winter_161_-_foto_von_gian_giovanoli

Sils_UB

Sils Maria, photo@Udo Brandhorst

SIls2_UB

Sils Maria, photo@Udo Brandhorst

waldahus 2

 

wald3

wald5

photo 2

wald4

 

wald2

photos@VK, december 2014

_a0j1834waldhaus_1-1

09Next-map-popup

Such a joy to enjoy the nature and driving to the mountains.  As I do not have captured yet the fine sport of skiing, I projected  somehow my alternate possibilities and challenged myself  by driving high up to the mountains and  escalating afterwards down to the lovely village of Pochiavo, (speaking italian here)

photo 1 copy

photo 2 copy

photo 4

photo 5 copy

photo 4 copy

photo 2

photo 1

photo 5 copy 2

photo 3 copy

photo 3 copy 2

Church of San Vittore in Poschiavo

photo 4 copy 2

photos@VK, december 201

I treasured the moments during my long drive to stop at Bernina cafe, close to Lagalb Diavolezza slopes slopes to have  a hot chestnut soup with Udo Brandhorst and talk about art.

While capturing amazing moments of nature and beauty, I visit briefly and had  tea lovely Ladina Florineth, who owns the Villa Flor, a charming seven-room hotel that opened last summer in a renovated patrician house in the town of S-Chanf. The original and conserved Jugendstil ornaments have been restored with much love and professional work. They are now part of the unique atmosphere, which plays unaffected between the present and the faded charme of the past.
Philosophers, authors, artists always came here, but it was usually to the upper valley,” said Ladina “Now people are discovering the lower part, which is becoming more important” 

We had our tea during  her break preparing a lovely set of photographs by the Korean artist Bookchang Koo “White on white “where was to open next evening (exhibition in collaboration with Ivory Press)

flor4

flor3

Flor1

Villa Flor in S-Chanf, photo@VK

photo

Bohnchang Koo, @invitation card “White on White

a beautiful book, present by Ladina,  her previous art exhibition, Philipp Keel.

photo copy

Upon my arrival  my first night in Engadin, I attended  lovely coctail event given  given by my dear friend and amazing jewelry designer Cora Sheibani for  her creations, at private home in St Moritz.. amazing creations! beautiful precious stones in amazing set designs! I love them all!

46

 

and of course, to visit the Nietzsche house in Sils Maria

16358688

Great walker
“Fortunately, you can’t change mountains or lakes,” says Joachim Kung, a Nietzsche scholar and the curator of the Nietzsche House in Sils Maria.

“Of course the area today is very touristy, but you can still find places where you can go for walks alone. Sils has also tried to keep away mass-tourism, so for instance, the parking lots have been put underground.”

The Nietzsche Haus displays manuscripts, letters, works and even the man’s death mask.But it mainly serves as a meeting place for Nietzschean scholars, offering them board and lodging, and organising discussions, debates and exhibitions immersed in the scenery that so inspired the great philosopher.

 

VK’s Reading Room:”Francesco Bonami Goes to Antarctica

I read this  at Vulture written by Francesco Bonami on his  trip to Antarctica very  very interesting, as somehow the curator becomes the subject for study on a real life exhibition.

18-bonami-09.jpg.r.nocrop.w610.h610

18-bonami-12.jpg.r.nocrop.w610.h610

“………….
Now is the season to go: Some things are melting, certain parts still have waves of the frozen ocean, and in a few weeks, it will melt down and turn into water. It was quite intense. We had to fly for a long time in this unpressurized plane for 7,000 feet. It was very intense. We went from Cape Town. We went with a bag full of stuff. I brought very little for myself. We changed very little. I would drink bottled water. I think you could drink the tap water. There were icebergs that looked totally pure — we took ice from an iceberg and we used it to drink whiskey. The Russian base really drinks; you don’t want to have a hang-over there. I didn’t want to have it. I don’t think it would have been fun. And no, it’s not very good food. It is mostly frozen. You’re very high most of the time, you are slightly nauseous; you don’t have a huge appetite.”

18-bonami-06.jpg.r.nocrop.w610.h610

 

18-bonami-04.jpg.r.nocrop.w610.h610

 

“..I’m glad it came through, but I don’t think I want to go back — I’ve seen it. It’s not anything from a curatorial point of view; many curators have gone to Antarctica. Though it informed me in a very mystic way. I was at the American base, the Amundsen-Scott base, and I met an Australian or New Zealand scientist. And he told me something like, What if the Earth and the sun didn’t exist, we could establish if the universe has an up and a down. It got me thinking — it was a very banal talk — but you think from a Western point of view that you are upside-down, and then you look up, and you still look up! Whether we invented the universe or a God did, either way, he was very clever, he made something where nobody can look down; even if you look down, it is always up, I think it was interesting. It is a stupid thought, but I truthfully never thought about it until I was there.”

Francesco Bonami goes to Antarctica, full article here

 


 

Munich; Espace Louis Vuitton invites Min-Jeong Seo who took up residency at Espace Tokyo and art critic Aomi Okabe

In Tokyo, In Situ-1, Espace Louis Vuitton: Sept 13, 2014-January 4th, 2015

A lovely evening last Friday at Espace Louis Vuitton to attend a conversation between  the artist Min-Jeong Seo and art critic Aomi Okabe  on the project where the artist has been in a  residency at the Espace/Louis Vuitton, In Situ-1,  in Tokyo, from September to November 2015 (conversation in japanese, with live german translation)

 

49461332

Espace Louis Vuitton Tokyo and Munich launch the  experience Of In-Situ in September 2014  by welcoming South Korean artist Min-Jeong Seo and Malaysian artist Simryn Gill, respectively.

In Tokyo, In Situ/Espace Louis Vuitton Min-Jeong Seo  “opens the door to her ‘studio’ for about four months to share her experience of working in situ with the audience and show the progress of her work. She establishes a bold dialogue between creation and destruction with poetic and highly symbolic installations. By sculpting, breaking and scraping fragile materials such as polystyrene or porcelain, the artist evokes fragility and uncertainty of life, and notions of instant and time.”

29_MinJeongSeo_JSouteyrat-0744

 

39_MinJeongSeo_JSouteyrat-1371

40_MinJeongSeo_JSouteyrat-1539

17_MinJeongSeo_JSouteyrat-0174

05_INSITU1_5527

photos@published photos, Louis Vuitton In Situ/Tokyo

Min-Jeong also talked about her previous work ‘Explosion” 

Sum2-3

as well as the black/white birds made out of porcelain.

vogel-14

photos@Min-Jeong Seo

ΑΡΧΑΙΩΝ ΤΟΠΟΣ

ΙΣΤΟΡΙΑ-ΑΡΧΑΙΟΛΟΓΙΑ-ΤΕΧΝΗ- ΕΠΙΣΤΗΜΗ-ΦΙΛΟΣΟΦΙΑ

Keith York City

History made interesting

VK

visits on art, design, architecture and literature

Eclectic Trends

Interior Design and Lifestyle Trends

maria sarri Art projects

#art_projects, #public_art, #site_specific, #post_colonial, #urban_art

Η καλύβα ψηλά στο βουνό

Σε κοίταζα μ' όλο το φως και το σκοτάδι που έχω

tangledjourneys

A personal perspective on human interest stories from an American journalist living abroad

An Englishman in Berlin

Blog about life and culture in Berlin, Germany

nefeliatelier

bits and pieces that interest me

A R T L▼R K

An Alternative Cultural Daybook

Venetian Red Art Blog

Art, the resplendent light that illuminates the world

The School Of Life

visits on art, design, architecture and literature

IGNANT

visits on art, design, architecture and literature

βλέμμα

visits on art, design, architecture and literature

λεξήματα

visits on art, design, architecture and literature

flaneries

This WordPress.com site is the bee's knees

βλέμμα

gaze at Greece

SOUZY TROS

the new T.A.M.A platform