VK

visits on art, design, architecture and literature

Category: visual arts

Munich; visit at newly opened exhibition “I am a Sender” multiples by Joseph Beuys and revisited Florence Henri “compositionen” at Pinakothek der Moderne

a quite afternoon visit at Pinakothek der Moderne for the newly opened exhibition “I am a Sender” multiples by Joseph Beuys.

26.06.2014-11.01.2015

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Capri-Battery [Capri-Batterie], 1985
Light bulb with plug socket, in wooden box, lemon
Publisher: Edizione Lucio Amelio, Naples

 

Between the mid-1960s and his death in 1986, Joseph Beuys created over 500 multiples — inexpensive, editioned artworks, with which he sought to make his art available to a larger audience. Experimenting freely with a wide array of formats and materials, he used these small objects and works on paper to reach a broader public than was possible with unique artworks or with ephemeral artistic activities like his performances, lectures and discussions. Positioning himself as a broadcaster, Beuys imagined the multiples as ‘antennae,’ which would carry his creative concerns into the wider world: ‘I am a Sender,’ he declared, ‘I transmit!’ Gathering together ideas and energies from across the many strands of his expansive oeuvre, the multiples expressed the full range of Beuys’s artistic interests, relaying these into the homes and daily lives of their owners.

more here http://www.pinakothek.de/en/beuys-multiples

and revisited again the beautiful exhibition of Florence Henri “Compositionen” 

21.3.2014-14.09.2019

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The photographs and photo-montages of Florence Henri (1893-1982) attest to a broad artistic education and an unusual openness for new currents in the art of her times. Today, her experimental photographic oeuvre has a permanent place in the art of the avant-garde….

This  presentation from the holdings of the Ann and Jürgen Wilde Foundation includes photographs, publications and historical documents.

Berlin; visit for the 6th Annual Gathering of the Int’l Council Museum Berggruen; David Bowie and Ai Weiwei at Martin-Gropius-Bau and more…

A  two day visit in Berlin on the occasion of the 6th Annual gathering of the International Council Museum Berggruen Berlin.

The celebration started with a very interesting panel discussion “Imagining The Future of the Museums” featuring Hans Ulrich Obrist, Katharina Fritsch, Jeff Coons, TarySimon with welcome note by Udo Kittelman, Director National Galerie-StaatlichMuseen zu Berlin.

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diner followed at “orangerie” at Charlottenburg Palace

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next day a short visit at Martin-Gropius-Bau for an exhibition of David Bowie 

20 may to 10 august 2014

more here https://www.berlinerfestspiele.de/en/aktuell/festivals/gropiusbau/programm_mgb/programm_mgb_ausstellungen.php

and Ai WeiWei-Evidence

Modernism is the original creation of enlightened human beings, it is the ultimate observation of the meaning of existence and the misery of reality; it keeps a wary eye on society and power; it never makes compromises and never cooperates.
Ai Weiwei 1997 (quoted from “Ai Weiwei – Der verbotene Blog”, Galiani: Berlin, 2011)

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https://www.berlinerfestspiele.de/en/aktuell/festivals/gropiusbau/programm_mgb/mgb14_ai_wei_wei/ausstellung_ai_weiwei/veranstaltungsdetail_80214.php

 

Munich: opening exhibition of Stan Douglas at Haus der kunst and “Helen Laurence” at Münchner Kammerspiele

On the occasion of the exhibition opening at Haus der kunst of Stan Douglas, at 5 pm  a talk took place between Stan Douglas, Johan Simons, intendant of Münchner Kammerspiele, Okwui Enwezor, and León Krempel

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Haus der Kunst presents the photographs that Stan Douglas has produced since 2008, as well as his newest works, revealing him at an exceptional moment in his artistic career in the exhibition “Stan Douglas: Mise en Scène”: In these works, Douglas has closely interwoven music, film, theater, photography, and digital formats, allowing them simultaneously to be associated with various forms of media.

A focal piece in the exhibition is the video-music installation “Luanda – Kinshasa” (2013), a fictional narrative about the absent Miles Davis. Douglas also broke new ground with his theatrical production of “Helen Lawrence” (2014), in which the actors’ performances are filmed in real time and immediately uploaded into a computer-generated environment. “Helen Lawrence” will run as a guest performance at the theater Münchner Kammerspiele simultaneous to the exhibition.

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photos@Eva Poetters

I had the privilege to attend the amazing cinematic production of Stan Douglas “Helen Laurence” and discussion at the Münchner Kammerspiele last night and followed by a lovely dinner.

more on the exhibition http://www.hausderkunst.de/en/agenda/detail/stan-douglas-opening-and-talk/

 

Salzburg; Anthony Cragg at art project Krauthügel; Ana Mendieta at Museum der Moderne Salzburg; “Manners of Matter” at Kunstverein and more…

A beautiful day at Salzburg invited by Ropac gallery.  The day started with a beautiful ceremony of the art project Krauthügel at Salzburg, three new sculptures “mixed feelings runner point of view” by Anthony Cragg  (Ropac gallery in cooperation with the Salzburg Foundation)

(June 6th, 2014  thru Sept 29, 2014)

all photos @VK

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next at the Museum der Moderne Salzburg, to see what is possible the most comprehensive retrospective in the German-speaking world, and in Austria, the first dedicated to the internationally renowned artist Ana Mendieta. The exhibition presents an overview, with roughly 150 central works in diverse media ranging from photography, film, and sculpture thorough to drawing.

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a beautiful piece by James Turrel “Sky-Space”, 2006 , Würth Collection outside piece at the Museum Der Moderne

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I continued to Salzburger Kunstverein, where a curatorial exhibition “Manners of Matter” curated by Chris Sharp.

Sculpture is something you bump into when you back up to look at painting”

Ad Reinhardt 

‘Manners of Matter’ draws upon a few works of art frhttp://www.salzburger-kunstverein.atom different epochs of the twentieth century as well as more contemporary positions in order to engage what could be considered the most fleeting and mutable form of materiality in a digital age, the body. The exhibition takes Ad Reinhardt’s famous quip as its point of departure and stands it on its head in order to consider issue of materiality and corporeality, transience and presence….

artists: Ester Kläss, Bruce McLean, Alina Szapocznikow, Michael Dean, Jean-Luc Moulene, Ulla von Brandenburg, Köji Enokura, Constantin Brancusi, Shimabuku

photos@Salzburger Kunstverein

 

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12 Manners web

more here : http://www.salzburger-kunstverein.at

a short brake for  coffee at the cafe Kult,  at Kunstverein with the lovely view.

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and continue at Villa Kast, Ropac gallery for the preview opening of Ilya & Emilia Kabakov

“Paintings about the Sun” , June 6-July 12, 2014

 

 homothetic

photo@Ropac gallery

and enjoyed a drink at the Villa Kast garden

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Munich;Adreas Binder Gallery; a highlight evening and artist talk with Joseph Zehrer and Dr Eva Karcher and music

Munich; Andreas Binder Gallery :a highlight evening and  artist talk with Joseph Zehrer and  Dr Eva Karcher with performance music by Pico Be  and Daniel Murena : “Walking words and spoken sounds“and generous presentation of drinks and wonderful food  by gracious and elegant Andreas and Veronica Binder.. thank you ! I enjoyed it very much.

 

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photos @ VK  during the evening event by permission

more on the gallery here 

Berlin;Hamburger Bahnhof_Museum für Gegenwart-Susan Philipsz “part file score”

01.02.2014-04.05.2014

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photos@vk

Susan Philipsz, Part File Score, 2014, Digitaldruck/Siebdruck, 185 x 145 cm

published photo @Hamburger Bahnhof

Curated by:
Ingrid Buschmann, Freunde Gute Musik Berlin e.V.
Gabriele Knapstein, Hamburger Bahnhof – Museum für Gegenwart – Berlin

For the historic hall of the Hamburger Bahnhof, Susan Philipsz has designed a sound installation that relates both to the building’s former function as a railway station and to the architectonic structure of the hall with its 12archways. The artist connects the former railway station  – a place of departure and arrival, of parting and return – with the eventful life of the composer Hanns Eisler (1898-1962), who lived in Berlin in the 1020s and 1950s.

The artist has created three pieces, based on three different musical compositions for film by Eisler, that play one after the other, each tone of the compositions wa recorded separately in the studio.  In the installation, the tones are distributed among the 24 loudspeakers installed along the entire length of the historic hall. Each loudspeaker is assigned a tone on he chromatic scale, so that each of the instrumental voices becomes spatialized and wanders  through the hall.

more here 

Berlin; Eigen+Art Lab “still (not) moving” 3 artist exhibition, curated by Prof. Dr.Dieter Daniels

9.01.2014-20.02.2014

A very interesting and challenging exhibition with curator Prof. Dr Dieter Daniels presenting  three positions from the field of Visual Media. photos@courtesy of Eigen+Art Lab.

In their works ,Yvon Chabrowski, David Claerbout, and Albrecht Pischel ask about the interstitial world between still and moving pictures that is newly arising through digitalization and changed cultural practices. Their refreshing indeterminacy opens up a still little-known aesthetic terrain that can be described either as a hybrid between or as a synthesis of photography and film/video. (gallery press release)
Yvon Chabrowski_Schutthaufen

Yvon Chabrowski transforms pictures from the mass media into the reflective space of a new, slowed down temporality. In Dramatische Funde im Schutthaufen (Dramatic finds in the rubble heap), she turns a press photo of a police operation in the ruins of the home that the neo-Nazi terror group NSU burned down in the city of Zwickau into a performance with actors who, caught in a video loop, are caught forever in their search for forensic evidence. 

Claerbout

David Claerbout is the “classic” of this new interstitial world and has been working since the 1990s primarily at the interfaces of photo/film/video and the digital image. With Untitled (Single Channel View) from 1998-2000, we are consciously showing an already “historical work” by Claerbout in dialog with the two younger artists. …..

 

Pischel

Albrecht Pischel presents his works in the analog medium of film, but his content relates to painting as well as to photography and digital techniques. The 8-millimeter film “Now is forever New” was shot, unnoticed, with a hand camera in front of Barnett Newman’s original painting “Vir heroicus sublimis” in the New York Museum of Modern Art……

more here 

Berlin; Blain Southern Gallery; Yinka Shonibare MBE “Making Eden”

15.02.2014-19.04.2014

preview opening; “Making Eden” Blain Southern  opened the first solo exhibition in Berlin by internationally acclaimed artist Yinka Shonibare MBE ; followed by a great dinner at Grill Royal 

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photo@courtesy of artist and Blain Southern “Adam and Eve”, 2013

Bringing together a body of entirely new work across two floors of the gallery, Making Eden explores the theme of revolution, drawing a stark contrast between the utopian ideals inherent in anarchic action and the darker realities of its consequences. Particularly pertinent in today’s global climate of social and political disillusionment, Shonibare explores both historical and contemporary cycles of revolution, seeking to demonstrate the destructive patterns of human behaviour that repeat themselves across time. (excerpt from gallery press release)

more here 

…….Yinka Shonibare MBE has been elected a Royal Academician, alongside sculptors Tim Shaw and Neil Jeffries. He joins the governing body of the Royal Academy of Arts, London, as a representative of the category of sculpture. This governing body is comprised of 80 practising painters, sculptors, engravers, printmakers, draughtsmen and architects

more here 

“Le Tricorne”, a canvas 19 feet high that Pablo Picasso painted for Ballets Russes, is in peril

New York – feb 3, 2014

my favorite place in New York to have lunch, Four Seasons,seen this at New York Times, I needed   to share  it here   tonight:

At Four Seasons, Picasso Tapestry hangs on the Edge of Eviction (by David Segal at New York Times)

photo published @NYtimes

For more than half a century, it has hung in the hallway of the Four Seasons Restaurant on Park Avenue, an immense work by one of the greatest artists of the 20th century. But Picasso’s curtain is coming down — and that might just destroy it…..

The interior of the Four Seasons was given landmark designation in 1989, canonizing the achievements of Mies van der Rohe, the architect who designed the 38-story skyscraper, and Philip Johnson, who designed the restaurant, the costliest ever constructed when it opened in 1959. The Picasso, however, was excluded from the designation because, as the New York City Landmarks Preservation Commission explained in a statement, it was owned separately and could be moved.

more here 

Athens; Museum of Cycladic Art; “‘Figures’ loved and idealized” illustrating poems by C.P.Cavafy

27.11.2013-30.03.2014

“Figures loved and idealised ..”  Illustrating poems by C.P.Cavafy

a beautiful exhibition on Thursday morning touring the Cycladic museum

«Figures loved and idealised …». Illustrating poems by C.P.Cavafy

The exhibition “Figures’ loved and idealised …Illustrating poems by C.P.Cavafy” focuses on figures that play a leading role in Cavafy’s poetry. Inspired by the verse “Voices, loved and idealized” from Cavafy’s poem Voices, the exhibition uses archaeological artefacts to illustrate a selection of poems with mythological and, especially, historical subjects, which experts believe comprise approximately one third of Cavafy’s work.

The exhibition is curated by Prof. Nicholas Chr. Stampolidis, Maria D.Tolis, Mimika Giannopoulou

 more on the exhibition 

installation shots here 

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