VK

visits on art, design, architecture and literature

Category: Athens

‘Archipelago of Fournoi Korseon, islands’ project by Christina Dimitriadis

Walter Benjamin, compared ‘memory . . . the medium of past experience . .  to ‘the ground (which) is the medium in which dead cities lie interred.’

 

In my new section at VK publication,  “Photography Exemplar”  a platform in which  I invite artists that work on the media of photography to share their experience working on a project, an idea, that it might  develop to a larger narrative or simply stay at the moment.  My first guest is  Christina Dimitriadis (lives &  works in Berlin) whose work  I admire for a long time, (Christina submitted 37 photos on my desk /september 2018  the photos are presented here unfiltered, exactly the way were delivered to me;  it is a journey of her  days residing at the remote Fournoi Korseon  islands, far east of the cycladic aegean sea; the “Island Hoping”was evolved to an exhibition presently on view at the Athens Municipality Arts Center, in Athens, Nov 10, 2018 -3 Feb 2019) (curated by Dennys Zacharopoulos. artistic director ); thank you Christina for sharing your journey with us. (note from editor VK) 

“Middle of May 2018, I take a photographic journey to the archipelago of Fournoi Korseon, islands I ́ve never been before. While I photograph for my new project “Island Hoping” with my professional cameras, I use the camera of my i phone to document my everyday life, my surroundings. The wild beauty of the Archipelago becomes my muse. Like an enchanted landscape transforms me into something I forgot how to be“. Christina Dimitriadis, artist

….see in detail all text /the journey after the images.

 

A digital diary of my journey to the Archipelago of Fournoi Korseon.
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The basic function of Instagram is the practice of photο-sharing. Photo-sharing as a regular or daily practice, a mise – en – scéne of one self, a formation and not only a presentation. While phone calls are decreasing and text messages are becoming shorter, photo-sharing becomes the new language of communication in the digital technology.
Posting photos and videos on Instagram is like a virtual dialog with the followers. A desire to communicate, to see and be seen.
Known or unknown followers, colleagues, collaborators, friends or not, some forgotten, some beloved, some wishing to meet to love.
Counting the number of hearts underneath each posts. Searching for names.
So ephemeral the life of a post, no longer than a few hours, a day the most, even if they can be saved to the timeline of the app.
The platform, the sleek design, the sophisticate filters the square format, become my new vocabulary. A vocabulary different than my actual life, but also different from my artistic practice.
A third dimension of myself, constructed with different tools.
I use this dimension as my notebook. Notebooks which were usually kept private become public.
Middle of May 2018, I take photographic journey to the archipelago of Fournoi Korseon, islands I ́ve never been before.
While I photograph for my new project Island Hoping with my professional cameras, I use the camera of my i phone to document my everyday life, my surroundings.
The wild beauty of the Archipelago becomes my muse. Like an enchanted landscape transforms me to something I forgot how to be…                                                             Christina Dimitriadis, September 2018

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See published Christina Dimitriadis’s  ‘Island Hoping’ on Art Agenda by Kimberly Bradley, Feb 1, 2019

Fournoi Korseon  (Φούρνοι Κορσέων) is a complex of archipelago  of small Greek islands that lie between Ilaria, Samos, and Patmos, North Aegean region. The two largest islands of the complex, the main isle of Fournoi 31 square kilometres (12 square miles) and the isle of Thyemaina  10 square kilometres (3.9 square miles), are inhabited, as is Agios Minas island 2.3 square kilometres (0.9 square miles) to the east

 

Athens: a vibrant Theater scene: “Mephisto”, “Ασκηση για Φονο”, ‘Η μητερα του Σκυλου”, “Πεντε”

My 5 day visit to Athens, with  Four amazing evenings at the Athenian vibrant theatrical  scene, thanks to lovely invitations by my dear friend Ariana Nichogianopoulou and Akis Charalambidis.

a fantastic performance of “ H Μανα του Σκυλου” written by Pavlos Matesis, directed  by Stravros Tsakiris at  Συγχρονο Θεατρο

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then..at  Θεατρο Αγγελων Βημα   “Ασκηση για Φονο” of Victor Chan,  directed by Dimitris   Giamloglou from the theatrical group Square Theatre Company

players: Giannis Laspias, Daphne Manousou, Ioanna Stavropoulou

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Ο Έντριαν, γοητευτικός τυχοδιώκτης και πρωταθλητής στο σκάκι,απολαμβάνει τον,πλούσιο γάμο του με την μεγαλύτερή του,αλλά ακόμη σέξυ, Τζάνις,πρώην μοντέλο και νυν ιδιοκτήτρια γιγαντιαίας αλυσίδας γυμναστηρίων. Όσο ο ένας δεν χώνεταιστα πόδια του άλλου,όλα στη σχέση τους μοιάζουν ρόδινα. Σχεδόν…
Μέ την εμφάνιση της Έιμυ, νεαρής «ρεπόρτερ» μέ σκοτεινό παρελθόν και ακόμη πιο σκοτεινό παρόν,μπαίνει σε κίνηση ένα γαϊτανάκι αποκαλύψεων, σχεδίων δολοφονίας και ανατροπών και ξεκινάει μια αδυσώπητη και αφάνταστα αστεία παρτίδα φονικού σκακιού..”

 

see more here  http://www.theatrikaprogrammata.gr/άσκηση-για-φόνο-λαμπερή-πρεμιέρα-στο/

and here   http://www.paraskhnio.gr/askisi-gia-fono-toy-victor-cahn-sto-aggelon-vi/

 

 

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…. a fabulous performance at the National Theater at Ziller building, Main Stage, of “Mephisto” adapted from the novel by Klaus Mann by Ariane Mnouchkine, directed by Nikos Mastorakis, music: Stavros Gasparatos

Cast:
Erika Bruckner Marina Aslanoglou
Carola Martin Vicky Volioti
Myriam Gottschalk Maria Zorba
Singer, Emelyne Danae Katsameni
Publisher, Jostinkel Thymios Koukios
Otto Ulrich Dimitris Mavros
Madame Efeu Ivonni Maltezou
Julius Stephanos Mwange
Theophile Sarder Alkis Panagiotidis
Ludwig Ektoras Liatsos
Lorenz Tasos Pirgieris
Theresa von Herzfeld Youlika Skafida
Knurr Yiannis Stollas
Pamela von Niebuhr Konstantina Takalou
Hans Miklas Harris Tzortzakis
Hendrik Hofgen Thanos Tokakis
Alex Enke Fezollari
Klaus Brickner Haris Frangoulis
Thomas Bruckner Minas Hatzisavvas
Magnus Gottschalk Nikos Psarras

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Το μυθιστόρημα του Κλάους Μαν, που γράφτηκε στο Άμστερνταμ το 1936, είναι εμπνευσμένο από τον μύθο του Φάουστ. Ο επιφανειακός φιλελευθερισμός του κεντρικού ήρωα γρήγορα δίνει τη θέση του στην ανάγκη για κολακεία και εξουσία, αφού, για να εδραιωθεί στο χώρο του, συμμαχεί με τον «διάβολο» έναντι οποιουδήποτε ανταλλάγματος. Το έργο αποτελεί μελέτη πάνω στις σχέσεις τέχνης και πολιτικής, εξουσίας και ηθικής, εμβαθύνοντας όχι μόνο στην άνοδο του φασισμού, αλλά στις κοινωνιολογικές και πνευματικές προϋποθέσεις που έκαναν δυνατή μια τέτοια άνοδο.

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Klaus Mann (son of Thomas) wrote the novel in 1936 as a roman à clef about the decisions the theater artists of his time were making during the rise of fascism. Hofgen represents Gustaf Gründgens, the actor/director who was married to Mann’s sister, Erika. The events onstage closely resemble those in the lives of the real players. In real life, Gründgens was reportedly homosexual, as were Klaus and Erika Mann. The black girlfriend signals this unacceptable sexual partner. In the play, as in real life, Gründgens’s marriage to Erika dissolves as she goes on to found an anti-fascist cabaret and Gründgens becomes part of the Nazi state. The novel was banned in Germany until Ariane Mnouchkine’s stage version appeared in Berlin in 1979

 

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more here http://www.n-t.gr/el/events/mef

 

and “Πέντε” (το ψυχογραφικό θρίλερ του Κώστα Μπίγαλη, που λέγαμε), στο Χυτήριο.

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Πέντε άνθρωποι με ονόματα κοινότοπα (εντάξει, το “Θαλής” δεν είναι και τόσο κοινότοπο) συναντιούνται (το ‘χει φροντίσει ο κύριος Κονταράτος, ο ιδιοκτήτης μιας κλινικής για ασθενείς με ψυχικές διαταραχές) στην κλινική του κ. Κονταράτου, αλλά ο κ. Κονταράτος λείπει. Ο γιατρός, μέσω ενός σημειώματος, τους ενημερώνει πως, όποιος καταφέρει (κατά τη διάρκεια της παραμονής του στην κλινική) να διώξει τους υπόλοιπους τέσσερις και ο ίδιος να μείνει εντός του σπιτιού, θα κερδίσει το ποσό των 500.000 ευρώ. Κανένας από τους πέντε δεν είναι τόσο υπεράνω, ώστε να πει “δε μας παρατάς, ρε φίλε” και να φύγει. Αμέσως, ο γιατρός, η νηπιαγωγός, η επιχειρηματίας, η γυμνάστρια και ο νεκροθάφτης, με τον πανικό να τους έχει πάρει τα μυαλά, αρχίζουν να σκέφτονται πώς θα τσεπώσουν τη χαρτούρα 

more here http://www.onlytheater.gr/magic_bus/_arthra_/9722-stin-premiera-tou-pente-sto-xitirio.html

photos@ published , theater productions

 

 

 

 

 

Athens visit: May 15-18th highlights: Eleni Koroneou Gallery (Yorgos Sapountzis); “A Thousand Doors” curated by Iwona Blazwick at the Gennadius Library and Gardens; Andreas Angelidakis “Every End is A Beginning at EMΣΤ

a great exhibition of  Yorgos Sapountzis “Athens Screens” at ELENI KORONEOU GALLERY, Athens

30 April-7 June 2014

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Sapountzis’s installations and performances combine elements of theatre, poetry and ritualistic practices, using the specific qualities of a medium to illicit greater interpretive possibilities. At the core of most of his projects are sculptural works that employ such flexible materials as aluminum sheets and rods, brightly colored fabric, pins, knots, strings, and newspaper. All these materials share certain qualities: they are light, flexible, ductile, their volumes can be reduced, they are easily transportable. The sculptures, in their carefully haphazard appearance, evoke a number of associations from banners carried at a protest to classic works of Modernism.(from gallery press)

more www.koroneougallery.com/exhibitions/2014/athens-screens/view:press[/embed]

“Every End is A Beginning by  Andreas Angelidakis at EMΣΤ -National Museum of Contemporary Art Athens 
14/05/2014 – 13/07/2014

SHELL_m

The solo exhibition of the artist and architect Andreas Angelidakis entitled Every End is a Beginning presents a series of architectural studies that pertain to concepts such as reuse, mutation, transformation and relocation, and features works exploring the transition from one state to another. In the work Domesticated Mountain, a pile of cardboard boxes from online purchases transforms into a dwelling; in Troll, a block of flats transmutes into a mountain; in Cloud House and Menir, a cloud and a rock take the form of houses; in Casino, an entertainment venue transforms into an economic experiment; while in Walking Building an old factory becomes a hybrid museum….(museum press) 

more  http://www.emst.gr/EN/exhibitions/emst_exhibitions/main.aspx?

 

” A Thousand Doors” at Gennadius Library and Gardens,   curated by  Ivona Blazwick

organizers: NEON & WhiteChapel Gallery 

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participants artists: Edward Allington, Matthew Barney, Christian Boltanski, Pavel Büchler, Michael Dean, Nina Fischer και Maroan el Sani, Ceal Floyer, Isa Genzken, Shuruq Harb, Nigel Henderson, Georg Herold, Susan Hiller, Hannah Höch, John Latham, Mark Manders, Juan Muñoz, Giuseppe Penone, Elizabeth Price, Michael Rakowitz, Annie Ratti, Meriç Algün Ringborg, Daniel Silver, Francis Upritchard, Adrián Villar Rojas, Jane και Louise Wilson, Γιάννης Κουνέλλης, Πάκυ Βλασσοπούλου, Κώστας Ιωαννίδης, Βαλεντίνα Κάργα, Νίκος Ναυρίδης.

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Athens; National Museum of Contemporary Art ΕΜΣΤ; ‘Εκ Νεου’ Afresh A new generation of Greek artists

24.10.2013-02.03.2014

Curated By: Daphne Dragona, Tina Pandi, Daphne Vitali

a special private tour at this exhibition on Friday morning, at 11 am by Daphne Vitali. thank you!

photos of installation @VK

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“Main aim of the museum’s exhibition policy since the beginning has been to bring out the most vibrant, progressive and innovative domestic artistic forces, while enabling the opportunity for artists to create new works of art. Afresh exhibition explores our future in an international environment, presents the new questions posed, showcases these emerging artists as they gain momentum.
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A systematic and thorough research that lasted about two years has proceeded. Starting point was EMST’s open invitation to the artistic community in an attempt to map the new generation that resulted in the collection of over 1000 portfolios of Greek Artists.

Born in the 80s (from 1979 to 1990) these 34 new artists and the members of 3 artistic groups have just completed their studies and started to make their first steps in Greece but also in international art centers such as London, Berlin, Vienna, Cologne, Amsterdam, Manchester.”

More than 60 works are on  displayed (installations, drawings, video, performance, sound installations, paintings), out of which 27 are works made especially for this exhibition…….

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Representatives of a generation shaped by (and from) the intangible digital technology, they are brought up with the new consciousness of co-creation, collaboration, diffusion of knowledge and information. They create collective and participatory communities; explore contemporary issues related to the new economy and production processes, labor, sustainability, autonomy and alternative ways of living.

IMG_3730 more here 

My 3 day visit in Athens, it started as always from Acropolis museum

 

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photos @vk

my favorite walk in the museum is thru the Archaic Gallery

Photo published @ the acropolis museum

Archaic is the period throughout the 7th century BC, until the end of the Persian Wars (480/79 BC). This period is characterized by the development of the city-state and the transition from aristocracy to tyranny and, eventually, democracy. It is also characterized by great achievements in the economy, art and intellectual life….

in the south side of the gallery, the depictions of the young women (Korai) is my favorite corner.

 

 more about the Acropolis museum

Athens; Benaki museum; opening of exhibition by Andro Wekua “pink wave hunter” (collaboration with Deste Foundation)

29.01. 2014-23.03.2014

ANDRO WEKUA&nbsp;<br/><em>PINK WAVE HUNTER</em>

A new program of collaboration between the Benaki Museum and the DESTE Foundation, opens with an exhibition of Andro Wekua.

This exhibition features  a series of sculptural models of buildings drawn from memories of Wekua’s childhood in Sukhumi, Georgia.  Wekua was born in the popular seaside town of Sukhumi, where he lived until his family was forced to flee during the Abkhazian conflict of the 1990’s.  The town was subsequently devastated by civil war, leaving the artist and his family part of the Georgian diaspora unable to return to home. Drawing on this experience, Wekua conjures images of his childhood town from memory and, supplemented by online research, creates sculptural representations of the city’s buildings. (press release ) 

curatorial decisions and exhibition lay out is done by the artist.

more on Benaki museum 

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