VK

visits on art, design, architecture and literature

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Munich; finissage of Florine Stettheimer at Lenbachhaus Kunstbau and at Brandhorst Museum “Dark Pop-Extended Version”

A visit last Sunday afternoon at Lenbachhaus Kunstbau -last day the wonderful exhibition of Florine Stettheimer.   I have written in this blog during the opening of the exhibition, on Sept 27th, 2014 

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Her pictures and poems, her designs for studios and stages constitute a modern synthesis of the arts and a chronicle of urban life. Stettheimer painted beauty contests and the revelries of celebrities, skyscrapers, Wall Street, and consumer culture, anticipating many of the interests that would later animate Pop Art. Her oeuvre is a source of inspiration for some of the most fascinating artists working today.

At Brandhorst Museum, “Dark Pop-Extended Version, new installations of artists: Andy Warhol, Bruce Nauman, Robert Gober, Mike Kelley, Cady Noland, Jeff Koons, Louise Lawler et al.

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Achim Hochdoerfer, the new appointed director in 2014 of the Museum has done a wonderful and playful presentation of the collection and the new pieces that have been added. The Mike Kelley rooms are great, the Bruce Nauman in the same room with Polke and the Louise Lawler installation were my highlights.

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Pop Art’s seemingly blissful embrace of the consumer world was haunted from the first by a gloomy undertone. Warhol’s images of glamorous celebrities and glittering fetishes of consumption were interspersed with motifs of violence, sensationalism and metaphors of death. As if an icon, the tondo of Marilyn Monroe was created after her suicide. For its counterpart of the smiling Jackie Kennedy, Warhol used photos that were reproduced endlessly after the president’s assassination. These works seem to mirror back to us the cynicism of our supposedly enlightened pragmatism. (museum press release)

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and in my favorite rooms, the Cy Twombly sculptures

 

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photos@VK

Munich; exploring the amazing creations of Pellicano design

Recently I met  lovely Maria Livia Pellicano, a new wonderful friend, wonderful jewelry designer,  and while talking over wonderful  tea time at her beautiful house,  I had  the chance and pleasure to explore and adore her unique creations.   Maria Livia is from Rome but the last 22 years lives  in Munich with a short stay in between in Bangkok. In 2005 she founded the jewelry brand Pellicano Design.  Just refined aesthetics;  rooted in love for the art.  Her early education was at  Luceo Artistico Alessandro Caravilani in Rome and then she continued  5 years at the  Instituto Europeo Del Design, in Rome.

Her beautiful house in Munich  is filled with art and her strongest influence in her life, her seven beautiful children.  “They help me in my work, commenting – says Pellicano – support me in every way, are my top fan.”

here some of the exclusive unique pieces

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“Performance Changeable”-architecture collection, copyright, 18 kt w.g Diamonds Pave

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Master Joker “Shaker” Master Joker collection coctail ring 18 KT Y.Gold Prasiolith/Brown Diamonds.

Its four product lines – ranging from pieces of the highest level, worn on occasions like the chic Met Ball in New York, to a younger line in silver.

“The two stones, are close and rendered inseparable by a ring studded with small diamonds that seems to hover around them. The two precious gems and inseparable dance forever “Walzer” of life.
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the younger line,

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“What is required today to a jewel? The exclusivity, replies Maria-Livia Pellicano

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photos@Pellicano design, by  Maria Livia Pellicano’s permission

Munich; Espace Louis Vuitton invites Min-Jeong Seo who took up residency at Espace Tokyo and art critic Aomi Okabe

In Tokyo, In Situ-1, Espace Louis Vuitton: Sept 13, 2014-January 4th, 2015

A lovely evening last Friday at Espace Louis Vuitton to attend a conversation between  the artist Min-Jeong Seo and art critic Aomi Okabe  on the project where the artist has been in a  residency at the Espace/Louis Vuitton, In Situ-1,  in Tokyo, from September to November 2015 (conversation in japanese, with live german translation)

 

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Espace Louis Vuitton Tokyo and Munich launch the  experience Of In-Situ in September 2014  by welcoming South Korean artist Min-Jeong Seo and Malaysian artist Simryn Gill, respectively.

In Tokyo, In Situ/Espace Louis Vuitton Min-Jeong Seo  “opens the door to her ‘studio’ for about four months to share her experience of working in situ with the audience and show the progress of her work. She establishes a bold dialogue between creation and destruction with poetic and highly symbolic installations. By sculpting, breaking and scraping fragile materials such as polystyrene or porcelain, the artist evokes fragility and uncertainty of life, and notions of instant and time.”

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photos@published photos, Louis Vuitton In Situ/Tokyo

Min-Jeong also talked about her previous work ‘Explosion” 

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as well as the black/white birds made out of porcelain.

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photos@Min-Jeong Seo

Munich; Neue Pinakothek: Gustave Courbet “Schleuse im Tal von Optevoz” 1854

A rainy and misty afternoon brought me to Neue Pinakothek to see the painting by Gustave Courbet and much of research about “THE RIDDLE OF ‘THE SLUICE GATE AT OPTEVOZ”

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One painting in the Neue Pinakothek highlights the speed with which firmly established facts can dissolve in light of new research. ‘The Quarry of Optevoz’ was acquired in 1910 as a painting by Gustave Courbet, and has long been considered an important early example of the famous artist’s landscape paintings. A restoration of the painting, however, revealed that Courbet’s style and signature came from a later, posthumous revision, probably painted by Courbet’s contemporary Charles François Daubigny (1817–1878). The exhibition uncovers the thrilling story of this painting and sheds light on the context of its creation. (Neue Pinakothek press release)

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Gustave Courbet
Schleuse im Tal von Optevoz, 1854
© Bayerische Staatsgemäldesammlungen, Neue Pinakothek München

it is one of my favorite museums for sunday afternoons.. already the festive note is around.

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Munich; at Architekturmuseum “Lina Bo Bardi 100- Brazil’s Alternative Path to Modernism”

14.11.2014 – 22.02.2015
PINAKOTHEK DER MODERNE
ARCHITEKTURMUSEUM DER TU MÜNCHEN

Lina Bo Bardi would have turned 100 on 5 December 2014

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A misty rainy morning in Munich; what a perfect day  to re-visit  the wonderful exhibition at Architecturmuseum at Pinakothek der Moderne, “Lina Bo Bardi 100. Brazil’s Alternative Path to Modernism”

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Casa Do Chame-Chame, Salvador, 1958-1964/modellbauer

The Italian-Brazilian architect Lina Bo Bardi (1914-1992) defined her own particular artistic path through outstanding designs starting at the mid-twentieth century. In architecture as well as stage sets, graphic art, fashion and furniture design, she implemented impulses of Modernism, but interpreted them quite individually.

On the exhibition

Lina Bo Bardi  raised and educated in Italy, she played an important role in the development of modern architecture in Brazil.. She evolved an approach to design that was unique to her and which placed the social significance of construction and its cultural ‘architettura povera’, Linda Bo Bardi can be seen as a forerunner to today’s emergent socially driven ‘architecture engagee’.  One of her most important achievements was her ability to create buildings that were  widely popular among the local public and which defied conventional classification.  (museum press) 

The exhibition  beautifully conceived and installed by Dr Andres Lepik, director of Technische Universität/Architecturmuseum  and his team, is  featuring about 100 original drawings. The exhibition opens with a section dedicated to Bo Bardi’s formative years in 1930s Italy, as well as her first activities as editor and designer of such journals as Domus, Lo styles, and A. Cultura della Vita.   An installed cement brick wall runs thru the exhibition space and model makers placed in various positions ; ink jet photos on the wall; a video screening explores her innovative exhibition concepts. ” One of her most important achievements was her ability to create buildings that were widely popular among the local public and which defied conventional  classification. “

Needlees to say how much I enjoyed every single drawing as Linda Bo Bardi managed to bring me in Brazil so elegantly this misty rainy morning; as she says “I don’t produce that many drawings myself. only the essential ones.”

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The exhibition is accompanied by the release of a large catalogue that sheds new light on Lina Bo Bardi’s architectural achievements, examined from different angles. Featuring texts by Renato Anelli, Zeuler Lima, Cathrine Veikos, Sabine von Fischer, and Guilherme Wisnik, the catalogue will be available in two editions (English and German), published by Hatje Cantz.

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Lina siting on a Bardis Bowl
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Lina designed Bardi’s bowl chair in 1951. Here is a wonderful written piece on the project of Bardi’s chair by Dr Renato Anelli (architect and professor at the University of Sao Paulo

Munich: presentation of Stefan Hunstein’ s new book “IM EIS” at the Kammerspiele Theater, ed. by Dr Petra Giloy-Hirtz

A beautiful sunday 12 o’clock event at the Münchner Kammerspiele Theater for the new book of photographs by Stefan Hunstein,”IM EIS”  also a very famous german actor, published by Hirmer Verlag GmbH;  a discussion followed with the photographer and Dr Petra Giloy-Hirtz and Dr Ulrich Pohlmann.

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The photographs were exhibited (May 9-June 15, 2014) at the Münchner Stadmuseum

Stefan Hunstein, is one of those photographers that have braved the polar seas and he  traveled to Greenland in 2012 and returned with an enthralling portfolio of breathtakingly beautiful images of the ends of the world…”

” The magic of the polar regions has fascinated and attracted explorers for centuries. This desolate world, characterized by gigantic icebergs, drift ice, and Arctic temperatures, conforms to everyone’s conception of a pristine, archaic landscape, which, however, is accessible only for a short time and at the cost of enormous physical effort with the aid of sophisticated technology. Those who visit this bizarre landscape of ice and snow are overwhelmed by the sensation of being just a tiny, insignificant entity in the midst of a grandiose natural spectacle.
In the last few years a number of artists, such as Olafur Eliasson and Darren Almond, have discovered these Arctic regions and responded creatively to their natural wonders in different ways.” (museum press release) 

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(published photos@Münchner Staadtmuseum/exhibit)

The gathering took place at  the Kammerspiele Theater with the impressive and  in sync staging of  the now  play März” of Heinar Kipphardt;  Stefan Hunstein read a beautiful text from   Christoph Ransmayr, Abschlag am Nordpol (from his book: “Atlas eines ängstlichen Mannes

photos@VK

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Stefan Hunstein is represented by Andreas Binder gallery 

Munich; Espace Louis Vuitton; a celebratory private view in honor of Simryn Gill on her solo exhibition of “In Situ-1”

18/9/2014-18/01/2015

A beautiful evening at the Espace Louis Vuitton München in honor of the artist  Simryn Gill on the occasion of her solo exhibition in the context of “In Situ-1” the first edition of an unprecedented residency  and open  studio program that spans three locations on the world-wide network:Paris, Tokyo and Munich.

Simryn Gill has been working since September to produce an amazing exhibition of a large vitrine that runs thru the whole downstairs exhibition and a number of large colorful drawings and numerous small ones on the upstairs space. A small set from the new series “channel” photographs was presented.

Anja Keahny,  director of the Espace Louis Vuitton München presented us with a lovely and informative presentation of  the programme and the particular residency of the “In Situ 1”.

Plenty champagne to please all the guests. A beautiful publication, edition, Simryn Gill “Channel” designed by Simryn Gill &  Andreas Tetzlaff (probsteibooks, aka Livres Saint Georges, Cologne)

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VK, Villy Giovaniti, and Simryn Gill (right)

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left, Tracy Williams (Simryn’s NY gallerist) and Katja Eichinger, author & filmmaker

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Andreas Tetzlaff, Simryn Gill (center), Venetia Kapernekas

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VK & Michael Janssen (Berlin/Singapore gallerist)

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The exhibition will be on view till January 15, 2015

Munich; “Let’s Party 4 ART” PIN Party & Benefit Auction at Pinakothek der Moderne

I attended with many friends on Saturday evening;   22. November 2014 the PIN.Freunde der Pinakothek der Moderne at the  Rotunde of the Museum. Lots of great wine and the whole Munich was there.   Andreas Rumbler from the auction house  Christie’s Munich, brought a great amount to the PIN.   Great dance DJ till late morning hours..

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photo@Daniel Ramirez

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photo@Daniel Ramirez

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http://www.pin-freunde.de/de/pin-party/

Paris; visiting the paris photo et more…

A lovely weekend in  Paris by  train to visit the Paris Photo at Grand Palais and some more nice exhibitions,  not efficient  time to visit the Louis Vuitton new bldg by Frank Gehry.. (good excuse for soon again new  visit)

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Katy Grannat :  upstairs exhibition;  new MoMA acquisitions

541f0020b22d0collier-schorr-moma Collier Schorr, “Picture of Women”, 2010, MoMa aquisition

a crowded Ropac booth,  a fantastic installation of Robert Mapplethorpe, curated by Isabelle Huppert.

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And of course my favorite gallery from New York with fabulous presentation, Howard Greenberg gallery

A Saturday visit at Patrick Seguin gallery in Paris’s Bastille neighborhood (ccupying a 300 sqm (3200 sq ft) space, rearchitectured by Jean Nouvel)

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photo 2The exhibition at the present is called Kurimanzutto hosting works by Damián Ortega, Gabriel Kuri, Jonathan Hernández, Gabriel Orozco, Jimmie Durham, Gabriel Sierra and Rirkrit Tiravanija. “… this exhibition unfolds around considerations on the themes of accessibility to the public, of restriction to domestic use, but also of travel experience, of exile and areas of conflict.
kurimanzutto was established in 1999, in Mexico City, with the aim of bringing together and supporting the work of a group of young artists, both Mexican and foreign.” (gallery press release)

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photos@VK

more here http://www.patrickseguin.com/en/exhibitions/2014/kurimanzutto/

continued to Marais area, at Ropac gallery; downstairs a lovely exhibition by Lisa Lou “Ixube” and  upstairs Tomorrow’s Man” curated by Jack Pierson. 

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Liza Lou at Ropac @ Ropac gallery

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at Marian Goodman, a Giovanni Anselmo beautiful installation

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@published photos on gallery site

Saturday late afternoon at  Gagosian gallery,  a solo exhibition by Cecily Brown (her first one in Paris- all new works), exhibition runs October 19-December 20, 2014

Something that’s just glimpsed seems more real than something that’s fully described.
—Cecily Brown

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more on the exhibition here http://www.gagosian.com/exhibitions/cecily-brown–october-19-2014

An amazing evening dinner (thanks to an invitation by my doctor Dr Rubinger, at Porte 12  at Rue de Messageries, on 10th, with heading Chef Vincent Crepel;  Taiwanese chef André Chiang (whose restaurant Andre in Singapore) opened Porte 12 just 2 months ago: interesting journey to wonderful high taste menu. “Reactivating what was once a textile and lingerie atelier, Porte 12 has been created in harmony within the fundamentals of its predecessors – e marvelous artistry works of one’s pair of hands and ceaseless interminable inspirations – merged in a blend of contemporary and old, creativity and simplicity.”

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Munich;Haus der Kunst-Anri Sala-conversation on his “The Present Moment ” ; Giorgos Sapountzis at Barbara Gross Galerie “Die Landschaften Griechenlands”

Last night at the Haus der Kunst, a very interesting discussion/analysis with Anri Sala; Bridget MacRae, solo cellist with the Münchener Kammerorchester [Munich Chamber Orchestra]; and Alexander Liebreich, artistic director of the Münchener Kammerorchester. Moderated by Patrizia Dander, curator of the installation “The Present Moment”.

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The discussion addressed  differences and points of contact between musical and visual artistic approaches, particularly in relation to the realization process of “The Present Moment”.

“The Present Moment” is on view at Haus der Kunst.  Anri Sala’s  point of departure was the string sextet “Transfigured Night (Op. 4)”, a chamber music composition by Arnold Schönberg. For this sound and video installation created in the context of the annual commission “Der Öffentlichkeit – Von den Freunden Haus der Kunst”, Sala adopted Schönberg’s piece in a sensitive manner, translating it into a spatial-temporal mediation on the experience of “temporal presence”  in an art form that is fleeting and ephemeral.

http://www.hausderkunst.de/en/agenda/detail/anri-sala-der-oeffentlichkeit-von-den-freunden-haus-der-kunst/

opening evening for Giorgos Sapountzis, new work at Barbara Gross galerie. “Die Landschaften Griechenlands”

…with materials familiar in his  practice, traversing the colorful fabrics, tubular metal rods, and a great animation video film.

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still from the animation film@VK

Ludwig I commissioned one of his favourite landscape artists Carl Rottman (in 1832, foreign powers established a monarchy in Greece after its liberation from Ottoman rule).  Rottman travelled to 23 locations in Greece’s mainland and coastline, during a 12 month trip to study the country’s scenery….

 

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…Sapountzis interested in how a scenography of a place effects its inhabitants, he  considers -crucially-how the past is embedded in the present rather that reading the history of Rottman’s Greek style directly in his work….

a tasty and intimate small dinner afterwards at Flower Cafe.

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Giorgos Sapountzis,classy thinker

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more here http://www.barbaragross.de/artists/53

 

 

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