VK

visits on art, design, architecture and literature

Vienna ; visit Mumok (museum moderner kunst stiftung ludwig), Marge Monko “how to wear red”

Marge Monko  “How to Wear Red” curated by Rainer Fuchs

25.10.2013-02.02.2014

At the center of Marge Monko’s (b.1976 n Tallinn-video and photo works lies an examination of  social developments in a post-socialist context.  Marge Monko is the winner of the 2012 Henkel Art Award. Monko traces the changes in gender -based role models that were inserted into Estonian culture by neoliberalism after the end of the Soviet era. In How to Wear Red she portrays a society undergoing change and refers to the connections between the communist past and present day identify models.  The artist also exhibits a similar critical awareness of communist legacy history in her photo work about the Soviet monument in Vienna’s Schwarzenberplatz.

In some of her works Marge Monko links questions of the reality of gender specific hierarchies with ethnic conflicts. One of the works that I enjoyed was the two part video work , Forum (2010) …

Here, the two subjects overlap and is especially pronounced in the form of underprivileged Russian textile workers; they have been multiply marginalized, not only as women and as part of an ethnic minority but also as symbols of a former occupier..  In this work, the title of the work refers to a television debate which took place in 2009; in it political and trade union representatives discussed a new labor law in the context of the economic crisis. In the final outcome it was the Russian women workers who suffered most. While the original discussion was carried out exclusively by men, Marge Monko has the unemployed Russian women take over their roles. They read the original statements but add their own critical commentaries. In this way those who had no opportunity to speak for themselves at the time can now make their voice heard  – a reference to Bertolt Brecht’s worker’s theater.

see more images here 

Vienna: Leopold Museum, focus on the master pieces of Egon Schiele and Gustav Klimt

Egon Schiele, Selbstporträt mit Lampionfrüchten, 1912 © Leopold Museum, Inv. 454

photos: courtesy of Leopold museum (published photos)

A lovely morning on dec 27ht to see the collection of Egon Schiele consists of 188 works on paper and 41 paintings )

see more here 

and the collection Gustav Klimt

Gustav Klimt eine seiner Katzen im Arm haltend vor seinem Atelier in Wien VIII. Josefstädter Straße 21. Photographie von Moriz Nähr um 1912. © IMAGNO/Austrian Archives

Gustav Klimt once said about himself:
“I can paint and draw. There is no self-portrait of myself. I am not interested in my own person – more in other people, females. […] I paint day by day from morning to night – figurative paintings and landscapes, less often portraits. Already when I should write a simple letter I get frightened like due to imminent seasickness. Those who want to know more about me shall observingly regard my paintings, and try to realize who I am and what I want.“

see more here

Vienna; visit Mumok, (museum moderner kunst Stiftung ludwig wien) “…and Materials and Money and Crisis”

Vienna_Mummok      IMG_3494

photos @ VK

8.11.2013-2.2.2-2014   “…and Materials and Money and Crisis” curated by New York-based curator Richard Birkett.

“…this exhibition looks toward the works of artists who conceptualize unexpected ways in which the constellation of ‘materials’, ‘money’ and ‘crisis’ hang together. The works exhibited here move beyond representational conventions, their distinctive formal and material qualities reflecting internal and external schemata of production and regulation. They work through their own material constitution to capture technical supports and organizational systems in ways that enact breakdowns and intensify internal contradictions in the idealized circulatory system of exchange. As capital flows through a financial system composed of pure media, in which the materiality of price is emancipated from any even illusory reference to physical property,  and Materials and Money and Crisis ask how aspects of materialization within art might be read as a response to crises in the process of valorization. Artist in the exhibition: Terry Atkinson, Maria Eichhorn, Melanie Gilligan, Gareth James, Sam Lewitt, Henrik Olessen, Pratchaya Phinthong, R.H.Quaytman, Lucy Raven, Cheney Thompson,Emily Wardill.

more here

Vienna_ Kunsthalle Wien at Museumsquartier_ “Salon der Angst” exhibition

6.9.2013-12.1.2014

Gerard Byrne, 1984 and Beyond, 2005-2007 (Still aus der 1. Szene/still from scene 1), © Gerard Byrne, Courtesy Gerard Byrne und/and Lisson Gallery, London

curators: Nicholaus Schaufhausen (director of Kunsthalle) and Catherine Hug

“Fear and anxiety are familiar to all. Salon der Angst at the Kunsthalle Wien Museumsquartier will not only focus on generalised feelings of insecurity and threat, but also on how culture shapes both individual and collective experiences of fear and fearful events. Depictions of fear, terror, and the distraught are well-tread in art history, but also characterize a younger generation’s artistic practice that responds to a contemporary society rife with new and specific fears and insecurities.

The exhibition Salon der Angst explores the artistic confrontation with the fears of our time across a broad affective and socio-political spectrum. Fear is here understood as a response to those aspects of the present that we do not know how to deal with it. The artists in this exhibition address these fears in terms of a history of ideas, but also their specific psychological manifestations. The preoccupation with fear and anxiety in art therefore turns out to be an exacting look at the treatment (and production) through the media of a human emotion at once both familiar and elusive.

Participating artists: Nel Aerts, Özlem Altin, Kader Attia, Gerard Byrne, Los Carpinteros, James Ensor, Ieva Epnere, Harun Farocki, Marina Faust, Didier Faustino, Peter Fischli / David Weiss, Rainer Ganahl, Agnès Geoffray, Thomas Hirschhorn, Iraqi Children’s Art Exchange, Cameron Jamie, Jesse Jones, Dorota Jurczak, Ferdinand van Kessel, Bouchra Khalili, Eva Kotátková, Nicolas Kozakis / Raoul Vaneigem, Alfred Kubin, Erik van Lieshout, Jen Liu, Marko Lulić, Fabian Marti, Florin Mitroi, Marcel Odenbach, Jane Ostermann-Petersen, Francis Picabia, Willem de Rooij, Allan Sekula, Zin Taylor, Noam Toran, Kerry Tribe, Peter Wächtler, Jeff Wall, Mark Wallinger, Gillian Wearing, Tobias Zielony.”

@kunsthalle’s press release

kunsthalle Wien website

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