VK

visits on art, design, architecture and literature

Category: Munich

Munich;Haus der Kunst; Lecture “In the Concreteness of Abstraction: Modernism and Modernization in Postwar India” by Atreyee Gupta

LECTURE 14.01.14, 7 pm

I attended an  amazing lecture  by Atreyee Gupta, Goethe-Institut Postdoctoral Fellow (Berkeley/München)

“Situating art at the intersections of postwar scientific developments and the modernizing aspirations of a new nation-state, this talk examines the emergence of an inter-mediatic aesthetics of abstraction in 1950s and 1960s India….

“…Attending to trans-continental exchanges made possible through the artists’ interlocutions with figures such as Le Corbusier, Lucien Hervé, and Clement Greenberg, the talk seeks to foreground the ways in which postwar modernism in the post-colony intersected with the trajectories of modernism in Western Europe and North America but also significantly complicated its universalizing claims.”….

….Atreyee Gupta’s research centers on questions of postwar modernism and the politics of inhabitation, corporeality, and sensoriality, the intersections between modern art and processes of modernization in post-colonial contexts, institutional histories of modernisms, and aesthetics as a form of postwar global cultural capital.

more here at HdK site

Munich; Haus der kunst;revisit ‘So Much I Want to Say: From Annemiek to Mother Courage’ — Goetz Collection at Haus der Kunst

exhibition 19.04.13-12.1.14

photo: courtesy Goetz collection, Andrea Bowers, ‘Letter to an army of Three’,2005

The title of this fifth presentation of works from the Goetz Collection at Haus der Kunst is borrowed from an early video work by Mona Hatoum from 1983. It is based on the material of a performance: While Mona Hatoum’s voice repeatedly says, “So Much I Want to Say”, images depict a woman’s face being obscured by men’s hands.

… Works by female artists constitute nearly half of the pieces in Ingvild Goetz’s collection of media art. These works represent and illustrate the key stages of the feminist discourse and feminist film theory since the 1970s. With works by Chantal Akerman, Andrea Bowers, Rineke Dijkstra, Cheryl Donegan, Mona Hatoum, Lucy McKenzie & Paulina Olowska, Tracey Moffatt, Ulrike Ottinger, Ryan Trecartin, and Rosemarie Trockel.

So Much I Want to say – Goetz Collection at Haus der Kunst” is open daily from 25.12.13 thru 30.12.13 and from 01.01.14 thru 06.01.14; hours 10 am – 8 pm, Thursdays until 10 pm.

read more 

Munich: revisit Pinakothek der Modern, exhibition ‘Alfred Flechtheim, art dealer of the avant-garde’

24.10.2013-26.01.2014

alfredflechtheim.comAlfred Flechtheim at the Léger exhibition, Berlin 1922Photo: Atelier Lily Baruch © The Royal Library Copenhagen

The gallery owner Alfred Flechtheim (1878-1937) was a major protagonist in the art scene at the beginning of the 20th century. His commitment to the ‘Rheinische Expressionisten’ group of artists, the French avant-garde and German Modernism, and his support of great artists such as Max Beckmann, George Grosz and Paul Klee, made him internationally famous even during his lifetime. The National Socialist regime, however, changed his life and that of his family drastically. Flechtheim had to leave Germany in October 1933. As an art dealer of Jewish extraction he was publicly slandered and, by 1935, had closed his galleries in Düsseldorf and Berlin and transferred the artworks he still possessed abroad, mostly to London, where he died in 1937 at the age  of 59 as the result of an accident. His wife, Bertha, committed suicide in 1941 in the face of her imminent deportation. The remaining works of art in the flat in Berlin were confiscated.

The exceptional influence Alfred Flechtheim exerted as an art dealer representing artists defamed by the Nazis, the abrupt break in his biography and the feeling of loss this brought about, as well as the tragic fate of his family, are all reasons for this project being dedicated to his life and work.  In addition, the database generated website http://www.alfredflechteim.com provides details about the works and their respective provenance, as well as background information on 234 items now found in a total of 15 different museum collections taking part in this project.

….works by Max Beckmann, Juan Gris, Paul Klee, Karl Hofer, Ernst Barlach, at Pinakothek der Moderne may be seen with info point and iPad-terminals.

more at Pinakothek der Moderne 

and

Alfred Flechtheim site

Munich; Barbara Gross Galerie;Carlos Garaicoa

11.9.2013-January 17, 2014

Artist talk
Carlos Garaicoa and Okwui Enwezor,
Director Haus der Kunst München
Saturday, November 9, 2013, 6 pm

Carlos Garaicoa, Wer im Glashaus sitzt...

Carlos Garaicoa casts a critical eye upon the connections among architecture, ideology, and power structures.
The question of the guilt and innocence of architectural forms serves as a parentheses for the works that Garaicoa has created for the exhibition in Munich. At the center of the show are two iconic buildings, whose symbolic language is exposed by the artist’s deliberate shifts in size and material: the German Federal Bank headquarters in Frankfurt and the Haus der Kunst in Munich.

more here 

Munich:opening exhibition;Pinakothek der Moderne: “Jeff Wall in Munich”

Wednesday, November 6th 2013 – Pinakothek der Moderne – Munich, 7pm

jeff wall_an eviction

Opening of Jeff Wall in Munich

Curator: Inka Graeve Ingelmann

“….The exhibition, created in close cooperation with the artist, unites works in different collections in Munich for the first time. Largely dating from the 1980s and 1990s, this selection of 20 works provides a precise overview of the most important aspects in Jeff Wall’s work and includes now famous, frequently exhibited works such as “The Thinker” and “An Eviction”,  as well as less well-known pictures that are seldom shown such as “Park Drive” or “Diagonal Composition no. 2″…..

http://www.pinakothek.de/en/kalender/2013-11-07/38511/jeff-wall-munich

lenders of works for this exhibition: Sammlung Chrisa Döttinger; Sammlung Goetz; Sammlung Lothar Schirmel, Rüdiger Schöttle.

Film Matinees:  11.30 am in original language with german subtitles  at the Siemens-Auditorium at the Pinakothek  (entrance free)

10.11.2013  The Phantom Carriage/Der Fuhrmann des Todes, 1921 / Regie: Victor Sjöstrom

08.12.13      Das Weibe band, 2009 / Regie: Michael Haneke

12.01.14       Faustrecht der Freheit, 1975 / Regie: Rainer Werner Fassbinder

09.02.14   Old Joy, 2006/Regie: Kelly Reichert

09.03.14   The informant!/ Der informant!2009/ Regie: Stephen Soderbergh

Salzburg_ at Villa Kanst; Galerie Thaddaeus Ropac: Robert Mapplethorpe, curated by Isabelle Huppert

August 31, 2013-January 11, 2014

curated by ISABELLE HUPPERT

photo: courtesy of Ropac  gallery

A lovely visit at Ropac gallery-Villa Kanst and private tour of the exhibition by the director of the gallery,  Dr Arne Ehmann

“….. The gallery has invited French actress Isabelle Huppert to curate the exhibition. This is the latest in a series of exhibitions devoted to Robert Mapplethorpe that have been curated by artists such as Cindy Sherman, David Hockney, theatre director Bob Wilson and, in 2011, film director Sofia Coppola. The idea is to offer the public a different and more personal take on his work…..

...Naturally affected by beauty, Isabelle Huppert’s selection of these often unexplored images creates a poetic atmosphere of mysterious softness.

As Isabelle Huppert herself admitted, “I look at each Robert Mapplethorpe photo as if I were reading a poem. In the ones I have chosen, his way of seeing the world is pent with softness – and silence. They are silent photos. In that particular world that he made his own, everything is connected. He blurred the frontiers, merged the mobile and the immobile. His flowers are alive, almost human, and his bodies are frozen in their eternal beauty. Each photo is pure emotion. In each one of them there is a perfection of form, the delicacy and mystery of light and shade. Robert Mapplethorpe, the photographer poet.” (gallery press release)

 more here 

Gala at HdK

Saturday, Octobre 26th 2013 – Haus der Kunst – Munich

manfredprice_hdk

 

Gala at HdK – Der Öffentlichkeit- Von den Freunden Haus der Kunst

Manfred Pernice: a site specific sculptural installation concieved exclusively for the museum’s Middle Hall.

http://www.hausderkunst.de/index.php?id=83&no_cache=1&L=0&no_cache=1&tx_ttnews%5Btt_news%5D=8217

Munich; Haus der Kunst; Art in the “Third Reich”: Hitler’s ‘Brush Worker”

photo: courtesy of HdK (published photo)

Ziegler’s painting “The Four Elements” was on view in the 1937 “Great German Art Exhibition”, the inaugural exhibition of the “House of German Art”. Until September 30, 2012, it was also exhibited in the show “Histories in Conflict”, which juxtaposes Nazi art with works by then-ostracized artists.

Essay

The detailed article on SPIEGEL ONLINE highlights the stellar career of Adolf Ziegler, painter and president of the Reich Chamber of Visual Arts as of 1936, whose works were exhibited in the “Great German Art Exhibitions” until 1943. Hitler showed great enthusiasm for the works of an otherwise unknown painter: “‘Ziegler is the best painter of nudes in the world,” he allegedly said upon viewing one of his nudes. The forms of the provocative young women, seated on a bench embellished by colored fabric, came close to exemplifying Hitler’s ideals of the well-formed breasts of the Botticelli’s Venus. The general public, however, ridiculed Ziegler, the pedantic painter of nudes, calling him the” master of German pubic hair. ”

read Essay, external Link :Spiegel Online

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