Munich; the elegant “Claire Obscure” at Galerie Andreas Binder

by Venetia Kapernekas

“Claire Obscure”, 5th of February till 16th of April 2016 at Galerie Andreas Binder 
with Philipp Lachenmann, Matthias Meyer, Yigal Ozeri, Stefan Hunstein, Jan Davidoff, Anna Krammig, Rolf Walz, Dieter Rehm, Julio Rondo, Anna Navasardian, Gerhard Richter, and Sigmar Polke. (curated by Veronika Binder)
finissage reception :  Thursday, April 7th
binder_020Installation View, CLAIRE OBSCURE @ Galerie Andreas Binder 2016
Yigal Ozeri
Photo: Kilian Blees

Coming back from small vacation in Toscana, was refreshing to see again this beautiful and elegant exhibition at the Andreas Binder gallery yesterday afternoon.  The gallery bathed in natural brightness and  the elegant and careful arrangement of the works captivated me for few moments;  the recently retouched small rooms in  melancholic grey colour supplemented to a serene engaging dialogue between the works.

binder_022 2Installation View,CLAIRE OBSCURE @ Galerie Andreas Binder 2016
Yigal Ozeri, Gerhard Richter
Photo: Kilian Blees

 Based on the French translation of the style concept Chiaroscuro, the exhibition ‘Claire Obscure’ is devoted to contemporary artworks, which are especially marked by their play with a brightness darkness contrast.  Interpreting the concept as a since the Renaissance prevalent aesthetic technique to dramatize and vitalize the scene by bathing the motif in light against a dark background does, however, not exhaust the possible readings of Claire Obscure. (galerie press)

AM_Yigal_Ozeri_wT_Olya@ Galerie Andreas Binder 2016

…..Interestingly, photography became a reference point for contemporary painting with respect to ways of how to confront a possible reality……

binder_002Installation View, CLAIRE OBSCURE @ Galerie Andreas Binder 2016
Matthias Meyer, Gerhard Richter, Philipp Lachenmann
Photo: Kilian Blees

..the visitor of the exhibition ‘Claire Obscure’ sees himself/herself confronted with works that appear in their superficial, decorative aesthetic immediately accessible. Despite a commonly dark coloring and a romantic and mysterious charm the works still allow to be understood and felt in a from postmodern art discourses and from an autonomous aesthetic removed manner.

binder_009Installation View,CLAIRE OBSCURE @ Galerie Andreas Binder 2016
Julio Rondo, Dieter Rehm, Jan Davidoff
Photo: Kilian Blees

see here an older post on Stefan Hunstein and his book “IM EIS”presented at Kammerspiele Theater 

 Chiaroscuro (English pronunciation: /kiˌɑːrəˈskjʊəroʊ/; Italian: [ˌkjaroˈskuːro]; Italian for light-dark) in art is the use of strong contrasts between light and dark, usually bold contrasts affecting a whole composition. It is also a technical term used by artists and art historians for the use of contrasts of light to achieve a sense of volume in modelling three-dimensional objects and figures.[1] Similar effects in cinema and photography also are called chiaroscuro. (see Wiki)