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visits on art, design, architecture and literature

Category: Munich

Munich; opening at Deborah Schamoni gallery; “Die Marmory Show” curated by Gürsoy Dogtas and Deborah Schamoni

14.2.2014-12.4.2014

artists: Aaron Angell, Tue Greenfort, Pierre Huyghe, Anne Imhof, Dani Jakob, Josephine Pryde, Yorgos Sapountzis und Hannah Weinberger;  curated by Gürsoy Dogtas and Deborah Schamoni

with a “surprise performance” for the visitors by Yorgos Sapountzis (opening night)

all photos@Die Marmory Show, Installation view, Deborah Schamoni, Munich

DMS_InstallView_4_web

DMS_JP_InstallView_1_web

photo@Die Marmory Show, installation view, Josephine Pryde, Deborah Schamoni, Munich

DMS_HW_Entrance_web

 

 

„P.S. Last night I dreamt of a bluetit that stared at me for a few minutes and then, without a twitter, flew away. As I turned around to speak to you, instead of words, a melodic twitter of a bird emitted from my mouth.“

(Walt Kuhn an Vera Kuhn, Oktober 1912)

The discovery of a 100-year old letter, found lodged between the marble slabs of the gallery space (formerly a residential villa), brought about the initial idea for ‘Die Marmory Show’.

DMS_HW_2Stones_2_web

DMS_AA_InstallView_3_web

………This unsent letter, dated 24.10.1912, was, with the highest certainty, written by Walt Kuhn; painter, organiser and promoter of the Armory-Show in 1913, and is addressed to his wife Vera Spier Kuhn. During his extensive travels through Europe between September and November, he remained in close contact with her. This unofficial correspondence gives a rich and detailed insight into the thoughts and planning that went into the realization of the first Armory Show.

A fabulous show that I like to visit  again ;  Deborah as elegant and generous to her guests to offer  a lovely dinner at her personal space.. Thank you! Deborah Schamoni. you are a fresh breath in Munich.

DMS_InstallView_2_web

more here at gallery

 

 

Munich; Pinakothek Der Moderne; at the Ernst von Siemens auditorium the film “Old Joy” by Kelly Reichardt

Today, this morning at Pinakothek Der Moderne, part of a series of films screened  as of Jeff Wall exhibition. at the Ernst von Siemens Auditorium  I saw ” Old Joy”, 2005  written and directed by Kelly Reichardt; with Will Oldham, Daniel London; the film features a fantastic soundtrack by Yo La Tengo.

Old Joy Movie Poster

The most amazing is that films that somehow have gotten out of my attention living in New York, thanks to amazing things  at the Munich museums I can catch up on my film literature..

The story of two old friends, who reunite for a weekend camping trip in Oregon’s Cascade Mountains. OLD JOY is the critically-acclaimed film The New York Times calls, “A MUST SEE!”  

As subtle, supple and beautifully fine-tuned a film as any American director has made in the past year. Dennis Lim, The Village Voice 

 interview of protagonist Daniel London and writer/director Kelly Reichardt

sample of Yo La Tengo soundrack 

Munich: München Akademie; presentation of Graduates’ work; highlight Anne Kodura’s film ‘ödland/wasteland’

The Munich Academy opened its doors this to present the “Diplome” graduate students’  work; from the class of Prof. Klaus vom Bruch, I was taken by an amazing work, the documentary  ‘ödland/wateland’ by Anne Kodura,  photography by Friede Clausz   The film is about 80 min. was presented in a small custom made film room in her studio at the Academy. Saturday, February 11:30 will be screened at ARRI KINO München (Türkenstrasse 91)
It is an excellent job by a young and much promising new filmmaker.  Reflections in my mind  of
Truffaut’s film “400 Blows” and the british neo realism films, such as “Life at the Top” with Laurence Harvey.  But here Anne Kodura is working with a difficult subject; children.  Anne  told me she was for some months close to the children to get to know them before the camera came in. The photography by Friede Clausz is par excellence.

By kind permission by the  artist Anne Kodura.  All photo credit@Friede Clausz

Aya

synopsis :” It is the summer holidays.

Deep in the woods and among some sheep pastures a bloc of flats stands on a former military base of the Soviet army. Surrounded by ruinous barracks, an overgrown soccer field and a brand new wire mesh fence.  This is where Aya, Momo and Mustafa grow up. They spend the holidays at home at the asylum seeker’s camp. Born and raised in Germany, they do not really understand this “asylum seeking thing”, but rather want to be quite normal. They chase away the boredom by playing football, make a trip to the nearby lake and dabble in copper scrap trading.

A story of childhood, home and the search for identity.”

Muhammad

Wald

“ödland/wasteland”  has participated in the following festivals and has received many prices:

63th Berlin International Film Festival; Refugee Review Warsaw;12 Semana de Cine Aleman (Mexico);Festival International De Cine De Monterey;Oaxaca Film Festival ;Nuremberg International Human Rights, Festival, Unabhängiges FilmFest Osnabrück; Duisburger Filmwoche; International Film Festival, Bratislava; Kinofest Lünen;Exposed Filmfestival;Olympia Inernational Film Festival; 54 Festival dei Popoli; This Human World’ 3rd Flashpoint Human Rights Festival Mumbai; London International Documentary Festival (LIDF)

more here on the film’s site

 

Munich ; Pinakothek der Moderne; a Sunday afternoon visit

a lovely snowy day to visit Pinakothek der Moderne to see many masterpieces but a newly installed single channel video “Mathilde, Mathilde” caught my attention ,  by the artist I met in Berlin and  like very much,  Mathilde ter Heijne (born Strasbourg,France).

“Mathilde, Mathilde” 1999 , single screen video, 4.29 min on loop

photo & text @ artist’s published website

Mathilde is the name of the tragic heroine of Truffaut’s film La Femme d’à Côté, 1980, whose love for an older man ends in death. Also the leading female characters in Jean-Claude Briseau’s Noce Blanche, 1990, and Patrice Leconte’s Le Marie de la Coiffeuse, 1991, are named Mathilde and broken by their romantic attachments. Rather than falling victim to a disillusioning reality, the women find their escape in suicide. Mathilde ter Heijne takes these stories of self-sacrifice for an utopian ideal of love. Can fate be linked to a name? She mixes original sound extracts from the three films with video scenes in which she herself assumes the role of the tragic heroine. Using a special effects dummy, Mathilde ter Heijne depicts her death leap from the bridge and the struggle with her “alter ego.” The location for the short drama is Amsterdam where the artist used to live and work.

Salzburg villa Kanst _Ropac gallery; preview opening for Richard Deacon “form and colour?”

25 Jan. – 5  April, 2014

Richard Deacon ” form or color?”  (sculptures and wonderful film with the artist work); Lee Bull (sculpture and drawings) in the right wing  gallery and downstairs gallery the young french artist, much promising Claire Adelfang (photographs)

photo

photo copy 9

photo copy

“Along with Tony Cragg (b 1949) and Antony Gormley (b 1950), Richard Deacon is one of the most important contemporary British sculptors. His existential study of form and space reveals a fundamentally new approach, the determining factor being his treatment of the most diverse materials. The wavy, convoluted sculptures with their intricate rhythms and the biomorphic spatial objects are amongst the most complex works of modern sculpture.”….

“…In 1999, Richard Deacon began working with ceramics in a Cologne workshop. In Salzburg we are showing four enigmatic biomorphic sculptures of this material, multicoloured and with a gorgeous glaze.”

at the opening of the exhibition today was  presented for the first time the book Richard Deacon: So, And, If, But, ed. Dieter Schwarz (Winterthur Museum of Art), an anthology of essays on art theory by Richard Deacon, written during the years 1970-2012.

The film In Between – der Künstler Richard Deacon (Germany, 2012) by Claudia Schmid also at the exhibition.

more here 

Munich; Friday,Jan 24, opening 19.00 hr at k.m Kunstverein München “La voix humaine”

25 January-30 March 2014

Tyler Coburn, Cecile B.Evans, R. Kelly, Kalup Linzy, Eria Scourti, Call Spooner, Frances Stark and Amelie von Wulffen

lavoixhumaine

“The group exhibition ‘La voix humaine’ at Kunstverein München features works by artists that offer contemporary perspectives on themes within Francis Poulenc’s 1958 operatic adaptation of Jean Cocteau’s one-act play of the same name. The exhibition takes this drama as its starting point to identify how heightened forms of affect are mediated in society today; from public exposure of emotionality in need of an audience to a consequential role technology plays in facilitating intimate relationships with its users”

followed by party organized by Kryselina TM with D.J DRIPPIn and M.E.S.H with performance “Damning Evidence Ilicit Behaviour Seemingly Insurmountable Great Sadness”

Munich; preview opening at Haus der Kunst: Abraham Cruzvillegas “The Autoconstrucción Suites”

25.01.2014-25.05.14

preview with the Freunde tonight of this exciting exhibition and dinner to follow

photo credit@walker art center (published photo)

“Autocontrucción” (auto-construction) is the term Abraham Cruzvillegas (born 1968) uses to describe his art, the roots of which lie in the improvised construction methods and techniques of his native Mexico City. In this exhibition, the first major survey of his artistic career to be presented in Europe, Cruzvillegas combines his dynamic sculptural language with natural materials and found objects. He thus blurs the boundaries between art and craft and between industrial and manual production. For the Mexican artist, the sculptural form is a process of change, action, solidarity, and transformation. Over the past decade, Cruzvillegas has created an impressive body of work that reflects his interest in the forms and matter surrounding Ajusco, a volcanic area south of the Mexican capital…”

The Autoconstrucción Suites” is organized by the Walker Art Center, Minneapolis, MN, USA, and presented by Haus der Kunst.

more at HdK site 

Munich; “Bernd Eichinger – …alles Kino (..Everything is Cinema) at the Kunstfoyer of VKB, Maximilianstrasse 53

29.10.2013-02.02.2014

Poster Exhibition Bernd Eichinger, Pentagram Design, Berlin

a fabulous exhibition at the Kunstfoyer der Versicherungskammer Bayern :A chronological table combined important events from his professional, private and public lives with objects, photographs and film clips.

supported by Deutche Kinemathek Museum für Film und Fernsehen

Bernd Eichinger, Los Angeles, 1980s Photo: Karin Rocholl Source: Deutsche Kinemathek – Bernd Eichinger Collection

promotion photo, WERNER BEINHART, 1991

Natja Brunckhorst CHRISTIANE F. (GDR 1981) Source: Deutsche Kinemathek

Autograph "No Fear!"Nina Hoss THE GIRL ROSEMARIE (DE 1996) Source: Deutsche Kinemathek – Bernd Eichinger Collection

@photos publishes  at Deutsche Kinemathek

Bernd Eichinger (1949–2011) was Germany’s most important film producer in recent decades. Fulfilling diverse functions, he oversaw and accepted responsibility for more than 100 film and television productions. His name is linked to the Munich distribution company “Constantin Film” where he took an active role until 2006. Initially under the name “Neue Constantin,” he led the company to major successes, building one upon the other since the 1980s.

What does a film producer do? He bears financial responsibility for a film project from beginning to end: from the development of its subject through its international marketing. He is the “driving force” behind every film production, and must know all its steps and consider any risks involved. The film producer Bernd Eichinger, who studied at the University of Television and Film Munich (HFF), embodied this role as a creative authority with all his passion; like no other. Eichinger made films for a “wide audience” beginning with his involvement with “Constantin”, although his productions often raised controversy among German critics. Within the international film business Eichinger enjoyed great recognition.”

more at Deutsche Kiemathek 

Munich: ‘Unpainted’_media art fair_Jan 17-20

preview night; Thursday, January 16, 5 pm at PostPalast in Munich

postpalast munich unpainted media art fair 2013

Postpalast in Munich

UNPAINTED is a new art fair devoted to a special topic: media art / digital art. It will take place from Janurary 17th to 20th 2013 in Münich, Germany. UNPAINTED is focused on “art made since the first computers were switched on, means artistic practices that engage technology. Algorithmic plotter-drawings will be shown, computer animation, collages, photography, net.art, software art, interactive art, app-art, tablet-art, game art, etc.”   A decision that matches the evolution of another German Art Fair : Art Cologne, which will also feature video and media art fair next year. (source)

 

unpainted official site

and here on digital/arti

unpainted’s director Annete Dom’s interview 

Munich; preview opening at Villa Stuck; ‘RICOCHET #8’ Jan Paul Evers

16.1.2014-23.3.2014

Museum Villa Stuck

photo: courtesy of Villa Stuck and Jan Paul Evers

curator of exhibition: Sabine Schmid

“In the exhibition series RICOCHET #8 the Museum Villa Stuck shows as the eighth position of the work by Jan Paul Evers ,born in 1982 in Cologne his first museum solo exhibition.  Jan Paul Evers follows with his works an extended term Photography: In his artistic work in the photographic process he captures space, creates it anew and finally banishes him on paper, the trace of an object is sometimes visible, other times is completely unrecognizable. Not the subject is in the center of Evers’ work, but the medium itself….”

“In his contemplative photographic works, all unique, Evers grasps  the technical and creative possibilities of the medium of photography and takes it as a starting point to examine the photograph as well as their relationship to art. It deals not only with the history and aesthetics of photography, but also with the question of authenticity, reality and perception, with ways of seeing, objectification, as well as with the technology and the design possibilities of photography….”

more at museum press release 

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